O public libraries, what are you doing in the great indie book publishing revolution? A letter to a far-sighted master-librarian

Will the online ‘libreria’ or bookshop, where this picture was taken, replace the ‘biblioteca’ -- the Italian for library – everywhere, in the digital revolution? - photograph: MIL22

Will the flexible, accommodating online counterpart of the ‘libreria’ or bookshop everywhere supplant the change-resistant ‘biblioteca’ — Italian for library – in the digital revolution?
– photograph from Napoli: MIL22

This entry tells a true story of our time about a public library that recently turned down a modest proposal for listing on its web site books published independently by its patrons and members. Note that there was no request to include these – necessarily – in the library’s catalogue. The frame for our tale is an open letter about an exciting vision for libraries of the future by an inventive leading librarian.

cover expect moreDear David Lankes,

Can public libraries supercharge the flowering of indie publishing and go back to being vibrant centres of creativity?

I have been reading your slender Expect More a book I will call thrilling. As you know, that is not a word that I or anyone else thinks of, any more, in connection with libraries. Least of all, those of us who saw them as unrivalled homes of enchantment, growing up; entertainers for which no television set, nor the most luxurious cinema with the biggest screen was any match. Part of what you have set out so well is that if the visions of a true 21st-century librarian can be realised — in, around and beyond the stacks — libraries could return to their glory days, in ancient times, going all the way back to the legendary 3rd-century BC Library of Alexandria.

I note that you are a professor of library science in Syracuse, in New York state, and a leader in information studies exploring ‘how participatory concepts can reshape libraries and credibility’. You say:

Too many librarians see their collections, not the community, as their jobs. Too many librarians are seeking to survive instead of innovate, … [… ] Great libraries … require open communication about your needs, your challenges, and your dreams. […] Libraries ‘for the people’ is an old way of looking at libraries. The new view is the library ‘of the people.’

When a library director has to be replaced, does the typical library board – or electorate, when the vetting is democratic – know what to look for, to choose the right leader for our times? That would be someone like you or Phil Shapiro, whom I’ve seen described as an educator at a public library near Washington D.C., who ‘teaches an occasional graduate educational technology class at American University’. His @philshapiro  notices on the Twitter bulletin-board are quirky, sometimes impish, and essential reading, and led me to you and your book. In a 2008 entry on his ‘Community Voices’ blog on PC World’s site — ‘Should Public Libraries be Welcoming Homes for Ingenuity?’ — a biographical note explained:

In high school he built a hot water solar collector from an abandoned shopping cart and hauled it up onto the roof of his house with a rope. His parents thought that was a good idea. The neighbors were not entirely thrilled with the shopping cart. On the roof. Of the house.

That suggests that the questions people selecting library chiefs should be asking in job interviews or library-related elections are, ‘How young were you when — if — you appalled people by doing things that later confirmed you as one of the pioneers in your circle, and can you give us some examples?’

In my life divided between several perches, in recent years, experiences at public libraries amply bear out your characterisation of too many people working in them as ‘stuck in a sort of professional conservatism that favours what they do over why they do it.’

Not long ago, I asked one head librarian whether our library might support the indie e-book revolution by encouraging patrons to list on the library web site the titles of any independently published books for which they were responsible. I said that I envisaged a bare-bones listing of each book’s title and subject – with, perhaps, a link to the author’s personal web site. This stark recording, I thought, would discourage competitive promotional hype and one-upmanship. The idea for the list had occurred to me when I realised that a number of potential readers of my first e-publishing experiment — a short book (or long essay), Jung on men and women: a Swiss travelogue  — happen to live in this particular library’s catchment zone. It is not unusual to meet local residents who are widely travelled, devour travel literature, and are interested in psychology, Switzerland, the fight for women’s rights, and the theories of Freudian psychology’s chief 20th-century rival, Carl Jung.

It seemed to me that libraries might be able to link local readers to writers in ways that the algorithms of Google and Amazon cannot. I would love to glean, from a constantly updated record of books they were publishing, impressions of the obsessions, preoccupations, passions and undisguised money-making schemes of people who live nearby. Living in the same place can mean much more than a shared or neighbouring postal code. Among those of us situated where we are from choice, not just necessity, it seemed as if there could be indefinable but powerful resonances predisposing us to being interested in each other’s literary and graphic creations. Whether I was right or wrong in this assumption, it seemed worth a test.

The head librarian — someone said to be charming whom I have never met in person — replied both directly and through a mutual friend. The idea, I gathered, was a non-starter. The staff already had too much to do without making and updating my proposed list. Though the library is neither a valiant inner-city nor struggling rural branch but located in a large, rich suburb, there were no funds for hiring new workers. What about letting volunteers – patrons – do the job? No, that was out of the question. Why? Because the library chief had tried working with local volunteers and quickly been worn out by the complications of being assisted by those most in need of occupation, bossy ladies-who-lunch types, many of them strangers to workplace discipline. In addition, an overbearing patron who had just published a book for teenagers had been hounding library staff members for help with publicity.

I was sympathetic to these reasons for the proposal’s nervous reception. Well then, I suggested, how about making a specific request for help from seasoned professionals in the ranks of the town’s retirees? What about letting retired administrators or book-keepers, doctors, teachers, company managers, accountants, lawyers and so on, get involved? But I made this counter-suggestion hesitantly, in fading tones, accurately anticipating defeat – because I had by then detected a faint but unmistakable whiff of hostility in a reference in one email from the librarian’s intimate friend to ‘this promotional idea’. I had been careful to explain that the list of e-books published by locals that I envisaged was plain enough to be the antithesis of anything sales-y. To no avail, apparently.

Prejudice can get in the way of reading or hearing what someone has actually said. What would the prejudice be, in this case? At a guess – your characterisation of the typically change-resistant librarian’s view of the purpose of a library – ‘providing access to knowledge,’ where that is perceived as a ‘passive … accumulation of facts,’ and not, as you say it should be, ‘intimately tied to the passions of the individual … dynamic, ever changing and alive.’ Too many libraries, you add, ‘support consuming knowledge instead of creating it.’

Phil Shapiro, arguing along closely parallel lines in a post titled ‘Towards a National Transition Plan for Libraries,’ asks whether libraries should ever close their doors:

In an information-based economy where knowledge workers drive almost all innovation, shouldn’t the public knowledge place be open seven days a week? If 7-Eleven and FedEx Office and McDonald’s can stay open 24 hours a day, is it not possible for libraries to do so, too?

As it happens, a few days before I read that, I’d made the nearly identical point to the circulation staff of a library. I said that they were surely sealing their institution’s doom with rigid, daft rules and systems that make it look more out of touch with reality, every day, to patrons accustomed — for example — to being able to buy discounted books online at any time of day or night, and avail themselves of exceptionally elastic and forgiving returns policies to unload themselves of purchasing mistakes. Don’t libraries realise, I railed, that their worst policies are so despised by patrons that some of us have been whittling down our reasons for borrowing anything from them at all – and actively developing other routes to acquiring everything that they alone could once supply?

I’d been complaining bitterly about being obstructed from paying a late fee because it fell below the threshold for permitting a credit card transaction at the circulation desk – though, by some impenetrable logic, if I went home and logged into my library account from there, I would meet no obstacle to settling my bill with my plastic rectangle. When I actually attempted to do this a few hours later, there was a block on the account because … no, no, I’ll stop there: the reason is too petty, tediously complicated and batty to recount.

As for the good sense in Phil’s advice about adjusting to the information economy — well, a library worker in another branch for whom I have nothing but high praise once explained that the reason why the software download speed on his library’s network can slow to approximately zero megabits per second — even forty-five minutes before closing time — is that the staff do not want patrons getting in the way of closing time routines. They simply shut down internet access to encourage these patrons to leave. I asked how that was possible when the library’s wifi network is supposed to be on all day and night. ‘Right,’ he said. ‘So when you’ve all left, they turn it on again.’ This reminded me of a minder of the public internet-access section of a library, a woman I had never seen before, hovering nearby, tidying desks and watching me type my library card number into the login box at least nine times in a row, trying to get online — with no success. Only when asked for help did she explain that she had already tucked the wifi system into bed – fifteen minutes before the end of her work day.

So, David, imagine trying to make the mental transition from that — a set of far from uncommon reasons for contemporary libraries being a depressing subject of conversation — to your description of ancient Egypt’s fabled book-haven in Alexandria. A place that you say was ‘not a huge document warehouse’, but ‘much more akin to universities of today’, where ‘[s]cholars from the known world were brought together and encouraged to talk and create.’

The contrast is agonising and will get worse, unless you, Phil and other advocates for reform can find a way — fast — to add people like yourselves to the staff of public libraries in senior positions. My happiest discovery in your book is that my modest proposal for patrons letting each other know about their indie publishing projects is directly in line with the transformed library-land you perceive as essential:

In essence, too many libraries have defined access as providing access to their stuff. You must expect more from your library. You need to expect it to provide a platform where you can access the ideas of others, as well as a platform for you to provide others access to your own ideas.

I note, by the way, that you published Expect More yourself. I didn’t buy the e-book. I bought the attractive print-on-demand paperback, childishly delighted – as always – by the idea of a book printed specially for me.

Incidentally, I would love to know how you would have treated my suggestion for a continuously updated list of indie books published by members of a public library. If you ever see this post and feel moved to reply, I hope you will leave a comment here – or on some site of your own.

Best wishes,

CB

Amazon needs competition as much as Hachette does … let’s do something about that and let the caravan move on

 Cherish the old and get on with the new: the classic, by way of the digital photographs by EF and postgutenberg[at]gmail.com

Cherish the old and get on with the new: the classic, by way of the digital (lens)
– postgutenberg[at]gmail.com

There has been a shortage of calm, witty, Establishment voices answering the foes of Amazon.com howling about Jeff Bezos hammering the last nails into the coffin of literary culture. One of these rare birds is Clay Shirky, an American writer and prescient media scholar. Though we had his permission to reblog the whole of his post on the subject on Medium.com — within five minutes of asking — this entry will only link to it and quote its most courageous and wickedly entertaining sections.

Courageous? Absolutely – for anyone following the coverage of the Amazon-Hachette brawl in New York, whose leading newspaper last Monday had a banner headline in its business section shouting, ‘Literary Lions Join Protest Against Amazon’, and recorded Philip Roth (scowling ferociously in a photograph), Orhan Pamuk, Salman Rushdie, V.S. Naipaul and Milan Kundera diving in to bash Amazon with their computer mice and vintage clack-clackers-with-carriage-return.

Restricting this post to extracts from Shirky’s consideration of all the good Amazon is doing – which makes it merely an agent of a revolution that can hardly be held back – leaves room for quotations of some of the most constructive reactions to what he has to say.

Like him, we wish that Amazon had found a less aggressive way to persuade Hachette to share the costs of its book-discounting strategy that it says is designed to put more money into authors’ pockets. But, as we pointed out in a post here two years ago, it is hugely surprising to hear anyone in charge of the commerce of publishing care about and speak up on behalf of writers. (See ‘Is Amazon a bully, beating publishers into submission?‘) … We are also worried about Amazon getting much too big. We would love to see as a competitor what DuckDuckGo and its anonymising search engine are to Google – an alternative filling a vital need that the giant leader did not acknowledge or accommodate.

Over to Clay Shirky and his first responders, now:

More energy is being spent right now attacking Amazon than defending the five big publishers … because they aren’t easy to defend. There is some handwaving around the irreplaceability of their discerning taste, an argument undermined by their recent habit of acquiring ebooks they passed on the first time around, like “Still Alice” and “The Toiletpaper Entrepreneur”; their willingness to produce print editions of books that initially found their readers electronically, like “Trylle” and “Fifty Shades of Grey”; and by their building or acquiring self-publishing platforms, as with Penguin’s Author Solutions and Book Country.

Similarly, the idea that only the Big Five will fund speculative work for small audiences doesn’t jibe with the growth of niche publishing enabled by lower publishing costs. (A quarter-million titles have appeared on the Kindle in the last 90 days.) Nothing here is magic. Books are large chunks of writing. Digital publishing creates many new ways to get those chunks from writer to reader. Only some of those new ways require the services of people who work in lower Manhattan.

[…]

I say this as a beneficiary of that older system. I earned hundreds of thousands of dollars in advances for my last two books, to say nothing of the opportunities those books opened up, so the system has worked admirably well for me. However, I am a WASP, an Ivy League graduate, a tenured professor, and a member of the Sancerre-swilling East Coast Media Elite. Of course the existing system works well for me — it’s run by people like me, for people like me.

Despite my benefitting from it, I am unwilling to pretend that this system is beneficial for readers or for writers who lack my privilege. I’d always aspired to be a traitor to my class (though I’d hoped it would be for something a bit more momentous than retail book pricing), but treason is as treason does, so here goes: The reason my fellow elites hate Amazon is that Amazon refuses to flatter our pretensions. In my tribe, this is a crime more heinous even than eating one’s salad with one’s dessert fork.

The threat Amazon poses to our collective self-regard is the usual American one: The market is optimized for availability rather than respect. The surface argument is about price, but the deep argument is about prestige. If Amazon gets its way, saying, “I published a book” will generate no more cultural capital than saying “I spoke into a microphone.”

Given their deep ambivalence about expanded participation in the making and selling books, it’s worth noting some scenarios Amazon’s critics aren’t afraid of: They aren’t afraid that books will become less accessible. They aren’t afraid that there will be fewer readers. They aren’t afraid that fewer books will be published.

Reactions by commenters on the MagellanMediaPartners.com site:

Baldur Bjarnason

Sep 18, 2014 at 10:41 AM

I’ve found the publishing industry supremely inhospitable to even debating important issues.

The debate in publishing circles surrounding Clay Shirky’s piece depresses me. It echoes and rhymes with every debate I’ve been in personally and it demonstrates just how little has changed over the past ten years in the publishing industry.

But, […]debating this is pointless.

You don’t change people’s world-views with dialogue. If you want change you have two options:

You wait until the believers in the old paradigm die, experience an apostasy, or become irrelevant.

You try and build things that don’t rely on them (i.e. work solely in the new paradigm) in ways that minimises the harm they can do to your work.

It’d be wonderful if the field could debate itself into some sort of sensible middle ground—in fact, that’s what the publishing world view people think they are trying—but world views and paradigm shifts don’t have a middle ground.

The publishing industry is stuck in the mythology that was invented when mass production took over publishing. Challenging that mythology is like challenging a religious fanatic: their response is to repeat themselves, just more loudly. […]

Hugh McGuire

Sep 18, 2014 at 04:59 PM

… No one is even near Amazon in terms of reach to the buyers of books; that “problem” is just going to get worse …so publishers who want to keep doing business as they always have, will be forced through the Amazon “value extraction choke point,” with decreasing leverage.

There are two solutions to this problem as I can see it:

a) support other channels (Oyster, Scribd etc) & hope that they really start to matter

or

b) start building businesses whose prime objective is to capture the relationship with the reader directly

For a) we’ve seen grudging signs of movement; and for b) nothing.

As Baldur says, for the loyal opposition, the only option seems to be: “You try and build things that don’t rely on (publishers)” […]

adam hyde

Sep 18, 2014 at 04:41 PM

It seems to me that these discussions increasingly go nowhere. It would be more interesting to have a forum where those that have the ‘outsiders’ view could gather and build on ideas. Each time I see this conversation brought to the ‘insiders’ it just turns into a pointing and frothing match. It stops creative discussion …

The dogs bark and the caravan moves on. We are all dogs barking about this remaking of media. Better to go silent and get on with getting to the next stage, making it as close to universally enriching as we can …

What should a writer’s position be on the battle between Amazon and the Hachette publishing conglomerate? Let’s have some basic information, for a start

alley

– photograph by MIL22

As print publishing firms competing with digital rivals have less than ever to give the majority of writers – who have no record as best-sellers — where should scribblers’ sympathies lie in the fight between the Hachette publishing empire and Amazon?

The essential details of what they are quarrelling about are being hidden from us on grounds of commercial secrecy — as noted in one report after another**. These are negotiations conducted down dark alleys. Without those details, we can only puzzle over the tones of ringing certainty in which newspaper commentators have unanimously been denouncing Amazon – although the bookselling giant was plainly wrong to punish Hachette and its authors in these ways noted by The Los Angeles Times:

Amazon is subjecting many books from Hachette to artificial purchase delays. Books that had been available for next-day delivery now take 2-5 weeks to ship. Some titles don’t surface in search as they should. … As a result, Hachette will sell fewer books.

Strangely absent from coverage of the war is an eye-popping point for writers made by a sharp-eyed reader of The New York Times:

To the Editor:

Neither Amazon nor the publishers are pure of heart. Amazon is facing serious pressure on the profitability front from investors, so it is looking to increase margins and reduce costs.

The publishers see e-books as their largest profit area. A Publisher’s Lunch article last year showed the profit breakdown for HarperCollins:A $27.99 hardcover provides a $5.67 profit to the publisher and a $4.20 royalty to the author; a $14.99 e-book provides a $7.87 profit to the publisher and a $2.62 royalty to the author.

While the publishers are making a claim to a noble struggle against Amazon’s efforts to devalue publishing, they are also seeking to protect their higher profits on e-books, not higher royalties for writers. While Amazon claims to want to offer readers the best pricing, Amazon has no qualms about using its powerful market leverage to get what it seeks while inflicting collateral pain on readers to boost its profits.

The two players that are suffering in this situation are the authors (book sales delayed or prevented, dramatically lower royalties) and the consumers, many of whom have invested heavily in the Kindle-based environment.

CHRIS WATSON

Barrington, R.I., May 31, 2014

For authors to extract a bigger share of e-royalties, we are guessing that more scribblers with market power ranging from middling to great will have to start publishing e-books on their own, and do well at it. What advantages of being conventionally published do they give up, when they take the indie road? Fewer and fewer. Many more authors who have tried both the old route to being published and the new say exactly what this Guardian reader did last month, reacting in the comments section of a blog post about self-publishing:

remittancegirl

29 May 2014

I’m not a fan of self-publishing, but I don’t think this article addresses some of the salient reasons for its rise. Nothing is mentioned of the radical shift in traditional publishing to put marketing efforts into nothing but established writers with blockbuster track records, or its abandonment of a good editorial process.

Having been one of those writers who did get published by a major publisher, it quickly became obvious that it was a waste of time and financially costly. The royalty rates offered (especially on electronic sales) are, frankly, laughable. There is no effort at marketing. As a new author, you are expected to do all the publicity and marketing for yourself anyway. The least one might expect was a decent line edit, but the book I published through a major house was published with typographical errors aplenty. So, exactly how does it benefit new writers to even consider submitting to a traditional publisher?

Forget the money. What about the cultural landscape? Are publishers are lining up to publish radically new forms of narrative? No. In fact, the chances of you getting a publishing deal for your book depends, most notably, on how much it resembles another book that’s done well.

And if a writer opts for self-publishing and does well with it, there is a far better chance of having a major publisher will pick you up, republish your work, offer far better terms, better editors and some marketing – now that you no longer need it.

… [T]he disdain in this article for the self-published work doesn’t take into account what is driving many authors to circumvent the publishing apparatus altogether.

The Independent noted,

At least one author, Barry Eisler, is standing up for Amazon, saying: “More people are buying more books than ever and more people are making a living by writing them. Why do millionaire authors want to destroy the one company that’s made this all possible?”

The problem for many in publishing is that the dominance of this one company, with its Kindle store, keeps growing. It is estimated that e-book sales will soar to almost $9bn this year in America, while print book sales fall below $20bn, down from $26bn in 2010.

Yes, it’s clear from those numbers that Amazon has too much power in e-publishing. But to see what can be done about it, let’s have some more information about precisely what terms it was arguing about with Hachette.

Transparency, please.

** For instance, although The Los Angeles Times’s handy summary of the dispute is highlighted as an instance of ‘an unusually public battle’ — in ‘Amazon and Hachette: The dispute in 13 easy steps,’ — its step 6 says:

Amazon has not commented to The Times regarding this dispute other than to point us to a message-board posting in the Kindle discussion forums on its site. There, it explained that Hachette was one of its 70,000 suppliers and that the two had been unable to reach acceptable terms (without disclosing what was being negotiated).

What John A. A. Logan, master of the literary thriller noir, adds to startling revelations about the gender dance by Alison Wolf, ace public policy scholar

Shoes have illuminating walk-on parts in both The XX Factor and Agency Woman - photographs: postgutenberg[at]gmail.com

Shoes have illuminating walk-on parts in both The XX Factor and Agency Woman
– photographs: postgutenberg[at]gmail.com

It is to a new novel that we at post-Gutenberg find ourselves turning to answer the question of whether the human race can continue by sexual reproduction – now that men and women have begun to live and work in ways growing ever less distinguishable.

In The XX Factor: How Seventy Million Working Women Created a New Society, published last year, Alison Wolf tells us that among the trend-setting elite of educated, high income-earning couples in the West, and for both men and women …

The new graduate norm is a full-time job, whether you are single or part of a couple. With no old-style wife to come home to.

Men in this social tier, she says, ‘put in more unpaid household work … the more educated the women.’ Will the shrinking gender gap, we wondered – scrolling through XX with musings about domestic goddesses still trailing from our last post – mean that mutual erotic interest will continue to decline, in these partnerships? A February article in The New York Times by Lori Gottlieb, a writer and couples therapist, quoted — to stunning effect — researchers reporting their discovery that, as one put it, ‘The less gender differentiation, the less sexual desire.’ Gottlieb herself was blunter: ‘In other words, in an attempt to be gender-neutral, we may have become gender-neutered.’

XX, in its details, contains equally startling revelations. It is so unlike the usual book by a scholar of Wolf’s standing – she is the Sir Roy Griffiths Professor of Public Sector Management at King’s College London, in addition to other directorships and lofty responsibilities — that to try to cherry-pick its discoveries and stimulating ideas, to recommend it to other readers, is to feel crushed, too soon, by the weight of a whole cherry orchard.

Overall, XX offers not the faintest glimmer of hope for anyone hoping to walk back the gender revolution in futuristic households. It shows brainy young women drawn from all over the East to the Asian University for Women in Bangladesh with exactly the same aim as their counterparts at Oxford – to climb to the highest attainable rungs on career ladders closed, in the recent past, to women. Female hunger for education is so extreme that …

Almost 60 per cent of medical students in the UK are now female; in US medical schools, women have made up just under half of entering students for the last ten years. And in the developed world it is now the norm for law faculties to have a majority of female students.

And the result? XX’s findings are arrestingly filtered through the review in last month’s New York Review of Books by Marcia Angell – a 74 year-old doctor and Harvard professor whose other formidable accomplishments include serving as the first woman editor of the American medical bible, The New England Journal of Medicine. The most striking passage of her assessment said, in part:

Upper-middle-class couples also give up home-cooked meals and spotless households, as documented by Wolf. Very little time is now spent on cleaning and other household drudgery (which still tends to be done mainly by wives), and even less on cooking. […] In the 1970s, there were ads for Wisk detergent that featured women who felt mortified because their husband had “ring around the collar.” Nowadays almost no one would be mortified, and certainly not the wife. In a New York Times article titled “The Case for Filth,” Stephen Marche concludes, “A clean house is the sign of a wasted life, truly. Hope is messy: Eventually we’ll all be living in perfect egalitarian squalor.” Despite the hyperbole, there is something to this view. Since housework takes time these couples just don’t have, I think lowering neatness standards is sensible, …

Women pay a price, where housecleaning standards remain high and exacting. ‘Italian inequality,’ Wolf says, ‘exists almost entirely because of the amount of time Italian women spend on unpaid work. More specifically, they spend world-record amounts of time cleaning the house.’ All across the developed world, at all levels of society, ‘there was a fall in the time women spent on unpaid household work.’

In one of many engaging glimpses she offers into her own life, she admits that on weeknights, she is liable to be found picking up ready-made dinners for her family from a railway station branch of the catering arm of Marks & Spencer in London – ‘a regular in their long lines of suited commuters, male and female, calculating time to checkout against time to the next train.’ With more than two dozen pages of tables and charts in her statistical appendix, and the confidence of a scholar long recognised for her rigour, she is free to have fun – as in disagreeing, tongue in cheek, with a high-ranking female American lawyer about the undesirability of ‘some of the nation’s most … powerful women’ being ‘stranded in cab lines and late for meetings,’ as they teeter in shoes with dizzyingly high heels. With an amused shrug, she classes these women with historical subjects of ‘swagger portraits,’ such as ‘wealthy seventeenth-century burghers of Holland’s golden years [who] wore Calvinist black and showed off their wealth with the size and fine quality of their lace ruffs and shirt cuffs’.

reds dOWNWe have those shoes to thank for the mental leap to Agency Woman, John A. A. Logan’s latest thriller noir — on which we had started a few weeks ago, and set aside for want of the right sort of reading time — to consider far more important parallels between XX and what this irresistible story has to say about the sexual revolution. In one of its early pages, the woolgathering of a character sitting on a bench in a train station in the Scottish Highlands is invaded by vivid sensations of being a knight on horseback when his eye is caught by a mesmerising woman shod in red high heels.

The owner of those heels turns out to be a powerful, high-ranking, female spy – seemingly a ‘better man’ in every respect than the book’s chief male character who, in this scene, is a dissolute, aimless, and troubled wanderer. Other readers surely asked themselves, as we did: will this woman, Lucy, plausibly become this man’s, or any man’s, heart’s desire – or be restricted to acting out the role of a sexual fascinator and dominatrix? For much of the book, it seems as if that could indeed be her fate, at her creator’s hands, judged by fragments like these:

I wish there was more gentleness in her, more kindness. She seems so intent on meeting life head on, smashing into it like a hammerhead shark rupturing its way through the water.

… and …

It’s the information, going into her … She believes it now. She’s processing it. Female computer with blood on her hands.

But, no … John Logan is not remotely a simple-minded thriller-writer – say, Dan Brown, whose female heroine in The Da Vinci Code has all the complexity of a soap dish. For reasons impossible to explain without trampling all over this surreal, often very funny story’s masterly unfolding, we realised, at the end of Agency Woman, that men John’s age – fortysomethings – take for granted, as Alison Wolf says in The XX Factor, that ‘Highly educated women are far more likely to have developing careers, jobs they find fulfilling, jobs that are part of their core identity.’

He writes like a choreographer effortlessly adding new steps to the dance of the sexes, in a novel that has echoes of both John Buchan’s grand, whimsical yarn, The Thirty-Nine Steps – because of chase scenes in rural Scotland, and a spirit of high adventure – and of a 1978 film about America’s Vietnam War, The Deer Hunter, because of excruciating, long-drawn-out ordeals of suffering and endurance inflicted on a reluctant conscript.

The message from Agency Woman about how instinctively astute men are coping with female incursions into traditionally male territory is neither new nor different from the critical prescription for any life: try never to lose your sense of humour. There is a splendid illustration of the right way forward in one encounter between the sexes in this book:

‘It must have been a glacier,’ is all I can think to say. We’ve passed the row of white houses and we’re back at the top of the hill now, just above where the bus dropped us off. We’re looking out over the sea and the sea is obviously sitting in some great depression, long and deep and scooped out from the land. I know nothing about geology or the history of the formation of the earth, but only two thoughts had entered my head when I looked down at the sea and the steep hillside that rose from the edges of the channelled water. First thought: huge dinosaur footprint, the footprint of some giant dinosaur with long, long bunny feet. Second thought: glacier. So I kept the dinosaur bunny feet private and expressed my certainty that this channel had been cut into earth by a mass of ice. A glacier. I know that she has her strong social side. I know that glaciers are socially acceptable, because current scientific theory approves of them, and they are taught in schools. I want her approval so I say, ‘It must have been a glacier.’ In my heart though, I hope it was a dinosaur bunny that did it, running after some dinosaur girl-bunny through this treeless zone. ‘I don’t think this warm weather is very usual up here,’ she replies. ‘The view too, I think this much sunshine is a real rarity up here.’

… No, not for a moment are we supposing that Agency Woman settles the question about reproduction with which this post began, proving Lori Gottlieb wrong – only, that it is strongly suggestive of how Alison Wolf’s research findings are playing out in some actual lives, and in the male psyche, in particular.

Or, as the rascally John Updike – an unreconstructed male supremacist, if ever there was one — put it in one of his last novels, Toward the End of Time: ‘We are condemned, men and women, to symbiosis.’ Only a first-rate novelist can show what he means — now.

reds BRIGHT