Category Archives: Pandemics

¡Hola! Here comes the Micrashell pandemic futuresuit — a stage-designer’s computerised protective costume from Spain and L.A., … and cyber life’s next leap?

. Art and science, Culture after Gutenberg, Pandemics . , , , , , , , , ,

 

…

+++ Micrashell pandemic futuresuit ON DRAFTING TABLE postgutenberg@gmail.com

Miguel Risueño’s Micrashell half-suit — on the top half of the mannequin — is on virtual (software) drafting boards, somewhere between a concept and prototype-in-progress. This is a Production Club image interpreted by pG

…

…

There has been a blizzard of reminders lately that crises can jump-start social transformations — can, for instance, do what World War I did for the Suffragettes with whom the women’s movement began. Right or wrong, here is pG’s prediction for the biggest technology-mediated change in our everyday existence to emerge from this pandemic seemingly set to rage on and on, now that scientists interviewed by The Verge, CNN  and The Guardian are warning us that we may never get acceptably risky, or safe — or any — vaccines against Covid-19: Fighting this virus will bounce us to the long-expected next stage of the digital revolution — ‘body-borne’ or ‘wearable’ computing.

The Wikipedia credits the invention of computing attached to our bodies to a Canadian engineer, Steve Mann, in the late 1970s. We have already met some of its components, if we don’t own them, as smartwatches and fitness trackers. These could well be followed by a larger constituent, if not a whole garment — a ‘half-body’ suit called a Micrashell, now somewhere between a concept and a prototype dreamt up by a Spanish stage-designer in the entertainment business, Miguel Risueño. Search engines’ earliest record of its launch appears to be a post on 29 April on CDM.link ** — just four weeks after pG’s first post about a virus-shielding, one-piece, whole-body outfit tentatively named a flusuit.

Risueño is in charge of inventions at Production Club, which is a studio based in Los Angeles and Spain that specialises in creating ‘immersive experiences’ for the raver-clubber-gamer class in electronic music and dancing.  Explosive interest in the Micrashell among other specialists in imagining and aesthetics is clear in the excitement in posts on scores of websites everywhere, including one on Architectural Digest India noting that the pandemic ‘has inspired artists and designers all over the world to create avant-garde Personal Protective Equipment (PPE) not only for frontline workers, but also for the general population.’ 

Risueño and his team say that they will first be selling their idea to businesses, not consumers, because the Micrashell’s yet-to-be-decided price tag will be high —  like those of the first components of the internet and computer revolution, which were paid for by the U.S. military. The first buyers Production Club has in mind are concert organisers and promoters and other specialists in giant live events whose audiences have vanished in the lockdowns. Risueño envisages these companies renting his half-suits to concert-goers, and being responsible for sterilising them between rentals and events.

A childhood friend of pG who used to conduct experiments in telepathy with her younger brother, each stationed in a different room in their house, would end their tests hoping to create a record of segments of thoughts that they — on rare occasions — apparently succeeded in transmitting to each other. If telepathy had been scientifically confirmed as real, it might explain the following curious overlaps between the entries here about a pandemic-protective futuresuit and announcements by the Risueño dream factory:

GETTING PHYSICAL

Whereas most others speculating about how the pandemic will alter ordinary human life are focusing on virtual solutions — such as offices in the ether, and moving various branches of the performing arts online — the suit idea is about physical adaptation. Both pG and Production Club see it as a way to make social distancing more effective, but also of ending the suffering and harmful consequences of lockdowns, preserving familiar human connections and freedom of movement as far as possible.

ADDING COMPUTING TO CLOTHES

Both Production Club and pG — in the 1 April post here  — have in different ways described garments with smartphone capabilities and high-tech sensors to monitor the suit-wearer’s environment and safety.

INCLUDING A RESPIRATORY SHIELD

Both the pG and Production Club envisionings equip a futuresuit with an N-95-grade respiratory mask, although p-G’s is replaceable and Production Club’s includes a sophisticated system of air filtration.

USING AESTHETICS AND COLOUR FOR ALLURE

The startling resemblance between the photograph of the suit used to announce the Micrashell (above) and the image in pG’s second post about an anti-Covid-19 suit  — bright, vibrant colours against a black background — fit a shared recognition that aesthetic allure will make it more likely that young early adopters will want a futuresuit. Whereas pG pointed out that users would not necessarily have to look like astronauts and might be offered fitness-flaunting suits made of transparent materials, Risueño told NBC Los Angeles that his suit ‘is a little bit more of a fashion piece than something that looks like a medical device.’ 

There the similarities more or less end. Production Club’s version lacks pG’s disposable stick-on-strip-off double-gloves and soles for shoes, and suggestion of biodegradability as a bonus — but in all other respects, is a far more intricate and elaborate conception. It includes, for example, battery-powered sound and messaging systems described in detail in the comprehensive Globetrender report about it. It has provisions for eating and drinking by a suit-wearer, and anticipates that what goes in must eventually come out — the notorious loo-break nuisance of jumpsuits — which explains why it ends at the waist.

But a top-only half-suit like the Micrashell must inevitably sacrifice anti-virus protection to some degree and will surely have to be reconsidered. As thrilling as it is for the futurists among us, the Production Club prototype is bound to lose a few — probably, a lot — of its features to be manufacturable in the near future.

Something about Risueño is reminiscent of the spirit and pan-directional imagining of Steve Jobs — in conversations with him around 1980 — who emerged seemingly from nowhere to reorient the computer business for ordinary people. He paid unprecedented attention to elegant usability and fashion, giving these as much importance as technical minutiae in an era in which giant established computer-makers bored outsiders with jargon-laden droning about megaflops and ‘OEM’-marketing strategies (no, you really don’t want to know about those). 

Miguel Risueño could be an imaginer too far ahead of his time, which is just as problematic as being a laggard (and in this respect too, would be a pG fellow-traveller). His name could be forgotten even six months from now. Or he — or someone very like him, from somewhere no one is expecting — could be the first of the new guard in the next transformation of computing.

..

** A fact-checking post-publication Google search on 29 May has turned up a Fast Company report on 27 April.

A parallel in contraception for the mass-produceable, anti-Covid-19 garment we need to end the lockdown — with or without help from Silicon Valley — while waiting for vaccines

. Culture after Gutenberg, Pandemics . , , , , , ,

…

(2) from a photograph by postgutenberg@gmail.com (2)

The ingenuity and Aladdin’s Cave-like inventions of Silicon Valley belong, first, to the realm of the abstract and immaterial — far removed from the skills of builders and manufacturers

…

…

NO SURPRISE IN 2020: in all sorts of organisations, colleagues as far apart as polar bears and penguins at their separate poles are talking to each other in virtual meetings through services like Zoom that almost make them feel as if they are in the same room. Thanks to lockdowns, technology originally referred to as picturephones or videotelephony — waiting for take-off since a World Fair in New York in 1964  — has finally come into its own.

A VERY BIG SURPRISE IN 2020: almost everywhere, the people in charge have been shown up as incompetent by their inability to supply straightforward physical barriers  — clothing and equipment referred to as PPE — to protect doctors, nurses, and others falling ill and dying while trying to save lives on the frontline of the Covid-19 pandemic. This makes no sense. Human beings are estimated to have started wearing clothes somewhere between 200,000 and 50,000 years ago, and clothing made of highly adaptable synthetic materials dates back to the 1930s and ‘40s, when chemists invented nylon and polyester. 

As our days on earth are being reshaped by the all-pervading digital revolution, it has been natural to look to California’s equivalent of Aladdin’s Cave for ingenious technological solutions and magicians, since the pandemic began. But that has so far been pointless. The Silicon Valley investor Marc Andreessen has cast the blame for his country’s disastrous lack of physical virus-blockers and medical equipment elsewhere, on what he calls a collective failure to ‘build’ in America — in a recent post on the site of his venture capital firm. In that diagnosis being widely discussed, he says, ‘I think building is how we reboot the American dream.’ 

Andreessen has had nothing more specific to offer than evidence of his heart being in the right place. He certainly did not happen to mention or explain why we have no convenient, one-piece, coverall garment capable of blocking and slowing down the transmission of the virus — such as the tentatively-named flusuit sketched here on pG, a suggestion for a streamlined, not necessarily unattractive version of a biohazard suit with both immediately feasible and futuristic elements. That has turned out to have interesting precedents. A post-publication search on ‘flusuit’ produced links for, for instance, a flu-and-radiation suit modelled by a German family in a wintry Hamburg in a 1969 Reuters-British Pathé video clip.  

Flu Suit 1969 Reuters-Pathé postgutenberg@gmail.com

German family dressed in flu/radiation suits, Hamburg, 1969, British Pathé Collection

A month after pG’s flusuit post, finding some way of making a garment like that — a pandemic- or pando-onesie? —  a permanent part of our wardrobes is even more urgent. Hardly anyone appears to be discussing any remedy like it — which is odd for these reasons:

• The uncertainty about vaccines and cures Most experts do not expect a vaccine or vaccines (for different strains of the virus) to be ready and available in sufficient quantities before a year from now, even with clever genetic engineering, according to the latest information on the subject, from Scientific American. No old or new medicine or therapy has so far been confirmed as fully effective and available as a cure for the range of symptoms caused by the new coronavirus — as promising as this week’s news about remdesivir looks. 

• The contraception parallel For blocking the most commonly cherished form of new life — children — physical barriers, however crude and imperfect, have proved useful for centuries. There was a 400-year wait for sophisticated chemical forms of contraception, starting with the birth control pill (in 1951), after the first documented use of a condom in Europe (in 1564). 

Certain religions frown on birth control, but who is likely to object to physical protection from the virus as a first defence? We are already gaping at the range of improvisations being devised by desperate people. Last week The New York Times interviewed reluctant air travellers wearing anything ‘from plastic ponchos to laboratory goggles to biohazard suits,’ for insulation, and worrying about the possibility that the virus would attach itself to their hair. One woman in the report flew from New York to Beijing in a ‘a rain jacket, hairnet, a mask and goggles,’ accompanied by a mother carrying plastic shower curtains for possible use as shields from aeroplane seats. A man dressed in ‘a disposable protective suit and goggles’ twice changed the N-95 mask he was also wearing for his 13-hour flight from London to Hong Kong last month, and told the newspaper that he felt glad about going to such extremes when he was notified about five fellow-passengers testing positive for the virus two days after his journey.

Why talk about whole bodysuits when the world is struggling to make enough coverings for faces? Because no expert has any idea of when the pandemic will end — and the gap between having enough masks but still no vaccines could feel interminable. There are experts predicting second waves of infection, and evidence from Germany that their anxiety is warranted.  

The millions of people pushed by the unavoidable lockdowns into dire economic straits and unemployment deserve a range of innovations capable of letting them get back to work and feel secure, there.

So Marc Andreessen could do worse than concentrate on finding ways to ‘build’ — mass-produce — an anti-coronavirus suit that many of us must now want as permanent additions to our clothes cupboards, like rain gear, for possible use in the future, even in far less deadly epidemics. A protective garment with a replaceable respiratory mask that is, ideally, biodegradable. 

Will he or anyone else in Silicon Valley actually give us one? 

Although nothing is less welcome than pessimism about the pandemic, it has to be said that this seems unlikely. The clue is in the thought-capsule in the top left-hand corner of the Andreessen Horowitz web site, which reads: ‘Software Is Eating The World.’ In a text posted there in 2011, Andreessen explained the reasoning behind it: ‘More and more major businesses and industries are being run on software and delivered as online services.’ His list of examples included this one: ‘Today’s largest direct marketing platform is a software company — Google … joined by Groupon, Living Social, Foursquare and others … using software to eat the retail marketing industry.’

For decades, software has stolen sharp minds from projects related strictly to people and physical objects. It has devoured investment capital disproportionately, and been a gateway into the super-rich club for many more hundreds of thousands than old-fashioned businesses have. The technology superstars — Alphabet (Google), Amazon, Apple, Facebook, Microsoft and Netflix — are all actual or virtual software companies. Speculation about their future evolution has consistently centred on their plans for artificial intelligence — and what is that if not more complex software? 

None of these companies have so far shown any sign of replicating their success in that ethereal, immaterial realm on the physical plane — the domain of things. But how wonderful it would be if they could.

…

'I'm going to the store' starbiz.com

‘”Going to the store” coronavirus meme,’ starbiz.com