Tag Archives: Steve Jobs

¡Hola! Here comes the Micrashell pandemic futuresuit — a stage-designer’s computerised protective costume from Spain and L.A., … and cyber life’s next leap?

. Art and science, Culture after Gutenberg, Pandemics . , , , , , , , , ,

 

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+++ Micrashell pandemic futuresuit ON DRAFTING TABLE postgutenberg@gmail.com

Miguel Risueño’s Micrashell half-suit — on the top half of the mannequin — is on virtual (software) drafting boards, somewhere between a concept and prototype-in-progress. This is a Production Club image interpreted by pG

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There has been a blizzard of reminders lately that crises can jump-start social transformations — can, for instance, do what World War I did for the Suffragettes with whom the women’s movement began. Right or wrong, here is pG’s prediction for the biggest technology-mediated change in our everyday existence to emerge from this pandemic seemingly set to rage on and on, now that scientists interviewed by The Verge, CNN  and The Guardian are warning us that we may never get acceptably risky, or safe — or any — vaccines against Covid-19: Fighting this virus will bounce us to the long-expected next stage of the digital revolution — ‘body-borne’ or ‘wearable’ computing.

The Wikipedia credits the invention of computing attached to our bodies to a Canadian engineer, Steve Mann, in the late 1970s. We have already met some of its components, if we don’t own them, as smartwatches and fitness trackers. These could well be followed by a larger constituent, if not a whole garment — a ‘half-body’ suit called a Micrashell, now somewhere between a concept and a prototype dreamt up by a Spanish stage-designer in the entertainment business, Miguel Risueño. Search engines’ earliest record of its launch appears to be a post on 29 April on CDM.link ** — just four weeks after pG’s first post about a virus-shielding, one-piece, whole-body outfit tentatively named a flusuit.

Risueño is in charge of inventions at Production Club, which is a studio based in Los Angeles and Spain that specialises in creating ‘immersive experiences’ for the raver-clubber-gamer class in electronic music and dancing.  Explosive interest in the Micrashell among other specialists in imagining and aesthetics is clear in the excitement in posts on scores of websites everywhere, including one on Architectural Digest India noting that the pandemic ‘has inspired artists and designers all over the world to create avant-garde Personal Protective Equipment (PPE) not only for frontline workers, but also for the general population.’ 

Risueño and his team say that they will first be selling their idea to businesses, not consumers, because the Micrashell’s yet-to-be-decided price tag will be high —  like those of the first components of the internet and computer revolution, which were paid for by the U.S. military. The first buyers Production Club has in mind are concert organisers and promoters and other specialists in giant live events whose audiences have vanished in the lockdowns. Risueño envisages these companies renting his half-suits to concert-goers, and being responsible for sterilising them between rentals and events.

A childhood friend of pG who used to conduct experiments in telepathy with her younger brother, each stationed in a different room in their house, would end their tests hoping to create a record of segments of thoughts that they — on rare occasions — apparently succeeded in transmitting to each other. If telepathy had been scientifically confirmed as real, it might explain the following curious overlaps between the entries here about a pandemic-protective futuresuit and announcements by the Risueño dream factory:

GETTING PHYSICAL

Whereas most others speculating about how the pandemic will alter ordinary human life are focusing on virtual solutions — such as offices in the ether, and moving various branches of the performing arts online — the suit idea is about physical adaptation. Both pG and Production Club see it as a way to make social distancing more effective, but also of ending the suffering and harmful consequences of lockdowns, preserving familiar human connections and freedom of movement as far as possible.

ADDING COMPUTING TO CLOTHES

Both Production Club and pG — in the 1 April post here  — have in different ways described garments with smartphone capabilities and high-tech sensors to monitor the suit-wearer’s environment and safety.

INCLUDING A RESPIRATORY SHIELD

Both the pG and Production Club envisionings equip a futuresuit with an N-95-grade respiratory mask, although p-G’s is replaceable and Production Club’s includes a sophisticated system of air filtration.

USING AESTHETICS AND COLOUR FOR ALLURE

The startling resemblance between the photograph of the suit used to announce the Micrashell (above) and the image in pG’s second post about an anti-Covid-19 suit  — bright, vibrant colours against a black background — fit a shared recognition that aesthetic allure will make it more likely that young early adopters will want a futuresuit. Whereas pG pointed out that users would not necessarily have to look like astronauts and might be offered fitness-flaunting suits made of transparent materials, Risueño told NBC Los Angeles that his suit ‘is a little bit more of a fashion piece than something that looks like a medical device.’ 

There the similarities more or less end. Production Club’s version lacks pG’s disposable stick-on-strip-off double-gloves and soles for shoes, and suggestion of biodegradability as a bonus — but in all other respects, is a far more intricate and elaborate conception. It includes, for example, battery-powered sound and messaging systems described in detail in the comprehensive Globetrender report about it. It has provisions for eating and drinking by a suit-wearer, and anticipates that what goes in must eventually come out — the notorious loo-break nuisance of jumpsuits — which explains why it ends at the waist.

But a top-only half-suit like the Micrashell must inevitably sacrifice anti-virus protection to some degree and will surely have to be reconsidered. As thrilling as it is for the futurists among us, the Production Club prototype is bound to lose a few — probably, a lot — of its features to be manufacturable in the near future.

Something about Risueño is reminiscent of the spirit and pan-directional imagining of Steve Jobs — in conversations with him around 1980 — who emerged seemingly from nowhere to reorient the computer business for ordinary people. He paid unprecedented attention to elegant usability and fashion, giving these as much importance as technical minutiae in an era in which giant established computer-makers bored outsiders with jargon-laden droning about megaflops and ‘OEM’-marketing strategies (no, you really don’t want to know about those). 

Miguel Risueño could be an imaginer too far ahead of his time, which is just as problematic as being a laggard (and in this respect too, would be a pG fellow-traveller). His name could be forgotten even six months from now. Or he — or someone very like him, from somewhere no one is expecting — could be the first of the new guard in the next transformation of computing.

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** A fact-checking post-publication Google search on 29 May has turned up a Fast Company report on 27 April.

The what??? of the year 2015 (hint: Steve Jobs has something to do with it)

. Culture after Gutenberg . , ,

The New York Times film critic A. O. Scott concluded an otherwise intelligent review of the new film about the life of the supreme computer designer and marketing genius with this incomprehensible pronouncement:

Whether or not we worship Steve Jobs, the world most of us live in is the one he made.

Really?

We can’t stop now, but will return to explain — for anyone who needs an explanation — as soon as we can … in a day or three.

 

An open letter to Walter Isaacson, the Steve Jobs biographer and channeller-in-chief

. 4th Estate moves, The 5th Estate in action . , , , , , , ,

'Me as my iPhone', a reveller in Luzern dressed for Fasnacht, the Swiss winter carnival (photographs by Walter Wieland)

[ part II of an assessment: part I is here ]

Reading about Steve Jobs’s estimation of his talents in the biography of the moment reminded me of a descendant of generations of Iranian painters sketched in a 1937 travelogue, The Road to Oxiana. Muzaffar launched his career ‘decorating pen-boxes,’ but has graduated to portraits in both the Persian and European manner. He shows the traveller, Robert Byron, his poster of two peacocks painted for a cigarette advertisement:  ‘”There!” he announced proudly. “I can do miniatures and I can do this. Rubens couldn’t have done both.”’ Byron, speechless, asks himself, ‘Why Rubens? Why Rubens particularly?’ … And that is the perfect frame for a conversation I would like to have with Steve’s biographer.

Dear Walter Isaacson,

Why didn’t you fight harder to resist Steve Jobs’s infamous ‘reality-distortion field’? You mention it repeatedly in your book, which reads like a ghost-written autobiography in the third person – if not outright channelling. It was authorised, but could never be seen as authoritative. I tried making excuses for you as I read the first half of your text. Acting as imperial scribe to a man as you watched him die must have been excruciating. But why did you submit to his publishing timetable, obviously set to capitalise on the impact of his demise, when your years at Time – a good incubation tank for journalists – should have told you that Steve’s way with the facts meant that you could not afford to cut a single corner in your research?

I am sure you are laughing as you read this. Only a minute fraction of your readers know enough to spot the effects of the two main smoke-and-mirrors wiles that he used on you – and in the second half of this post, I will explain why this matters too much to be dismissed with a shrug:

(1) Taking off all his clothes. He turned disarming candour of such elephantine proportions on you that it has worked, in its transmission to the minds of book reviewers, like the venerable military shock tactic known as a diversionary skirmish. Steve’s confessions about thieving, outlandish eating habits, hard drug use, paternity denial, child abandonment – and miscellaneous mistreatment of almost everyone he knew – were outrageous enough for the genial Guardian columnist Alexander Chancellor to nominate him for an effigy for Guy Fawkes Day. They have created such a swirling chaos of impressions that your text has duped intelligent people who have no idea of the dimensions of all they do not know about technology into calling him an ‘inventor’.

Even the usually hawk-eyed Maureen Dowd, who opinionates fizzingly for a large New York newspaper, arrived at precisely the summing-up of his life that Steve intended: that his behaviour (about which he was unashamed) was the price for what he cared about most, which was to be seen as having attained ‘the brightest heaven of invention’ in his time on earth. Your conclusion carefully states that ‘he didn’t invent many things outright,’ – I cannot name even one – and yet you used the Bard’s words for the title of your closing chapter.

Tricky.

You grant him the conceit of ‘inventing the future.’ What he actually did was to manage, by dint of super-human focus and force of personality, the execution of visions other people had long ago. You predict that ‘history will place him in the pantheon right next to Edison and Ford.’ But not once do you pause for the task of comparing what he did with either man’s accomplishments to justify such hyperbole. 

(2) Sticking his head into picture frames where he did not belong. Glamour by association, if done skilfully enough, can create an impression of achievement with very little or nothing behind it. You say that you were mystified when he approached you at a Palo Alto signing session for your Einstein biography to suggest that you make him your next subject. That seems disingenuous. Anyone who met Steve’s formidable instincts for PR would have understood in a flash that he was already plotting for the all-capitals banner near your e-book’s opening, trumpeting: FROM THE AUTHOR OF THE BESTSELLING BIOGRAPHIES OF … and hey presto! there he is, linked to the most sacred name in Western science, after Newton. You and your career have been used just like subliminal images of cowboys on horseback in cigarette advertisements commissioned to foster new generations of nicotine addicts.

Walter Isaacson, I would like to see you rise to the standard set by your excellent biography of Benjamin Franklin – a copy of which I own – with a drastically revised second edition of your book about Steve. I have never aspired to be a book critic because I am too keenly aware of my own defects as a scribbler to enjoy dissecting other people’s work. But a new, reflective version of this book is essential because of the scale of his impact on thinking about success and failure. I would like to offer these suggestions:

● Use your own head to write the book you owe us, without fear or favour. Reviewers have complained that your biography offers practically no insight into his character or actions. That was because you wrote the book he wanted you to. He was a man of action, like most successful businessmen, never mind all he said about Zen and the art of vegetarianism. No entrepreneur I have ever met has struck me as capable of serious, unflattering introspection. Unless your book contract bound you to duties as a medium after Steve left us, you should eventually find the distance and perspective missing in your first version of his life. I noticed in a review of the cluster of new works about Charles Dickens – who died at 58, just two years older than Steve, at his end – how infinitely more perceptive he was about his flaws, in spite of childhood deprivation that makes your subject’s unhappiness about being put up for adoption inconsequential. Dostoyevsky said that Dickens told him:

All the good simple people in his novels, Little Nell, even the holy simpletons like Barnaby Rudge, are what he wanted to have been, and his villains were what he was (or rather, what he found in himself), his cruelty, his attacks of causeless enmity toward those who were helpless and looked to him for comfort, his shrinking from those whom he ought to love, being used up in what he wrote.

Oh, for the faintest glimmer of such comprehension in Steve’s opinion of himself.

● Give us the social context for the life and work and, especially, address the sacrifices and suffering of hundreds of thousands of others who have made Silicon Valley famous. You owe it to the families of the many dazzling scientists and technologists Steve robbed of credit for their work. ‘We have always been shameless about stealing great ideas,’ as he glibly told you, throwing in a remark of Picasso’s for justification. But uncountable other gifted men and women in the Valley go home grey-faced with exhaustion, night after night, for years on end. Yes, the illness that killed Steve was horrific. How many others have endured fates far worse than his, as well as divorce and estrangement – even madness, and clinical depression — through chronic overwork?

You wrote as if only he was dealt a cruel fate, falling in with the delusions of the narcissist’s dream life he led from start to finish.

● Deal with the ‘Criticism of Apple Inc.’. That is a whole entry in the Wikipedia, listing a range of topics you have barely skimmed, and one that you have ignored altogether – the sweatshop conditions in which workers in China made Apple products, an environment so inhuman that it is blamed for more than one suicide.

Amazingly, you avoided the subject even when the Chinese factory made a back door entrance into your text. You described a 45-minute meeting with Barack Obama earlier this year:

‘You’re headed for a one term presidency,’ Jobs told Obama at the outset. To prevent that, he said, the administration needed to be more business-friendly. He described how easy it was to build a factory in China, and said that it was almost impossible to do so these days in America, largely because of regulation and unnecessary costs.

No mention of the implications of any of that in your report. Take that, you ‘Occupy’ movements around the world raging about corporate greed! Let us copy what is worst, not best, in modern China!

● Give a lot more thought to the question of who in business history Steve most resembles. Henry Ford was obsessed by the welfare of his workers, just as Jamshetji Tata — India’s most revered industrialist — was about his labourers in steel-making. Clearly, Steve does not belong in their slot. You might well find that his closest equivalent was Ray Kroc, who made McDonald’s the multinational burger bagger nonpareil. Like Steve’s, the secret of his success lay in his ability to profit from his talent as an instinctive mass psychologist. They believed in the same take-no-prisoners ethic. This passage of Fast Food Nation by Eric Schlosser will, like Steve’s  rage about the iPhone competitor called the Android, seem strangely familiar to readers of your biography:

He was a highly competitive man who liked, whenever possible, to settle the score. “If they were drowning to death,” Kroc once said about his business rivals, “I would put a hose in their mouth.”

● Please drop the nonsense about placing Steve’s accomplishments at ‘the intersection of the humanities and science’ – mimicking his deployment, on his own behalf, of the marketing ploy known as ‘product positioning’. In no conversation I ever had with him, or have seen recorded by anyone else, did he give any sign of knowing more than a moderately curious teenager would about history, literature, political science, or indeed any branch of the arts unconnected with design.

Steve had no education whatsoever in the science behind the products for which he was famous, which were the fruit of research in solid state physics, electronics, classical numerical analysis, mathematical logic and computer science. These are hardly disciplines that can be mastered by intuition.

Have you noticed the deafening silence from computer scientists in the hullabaloo about his death?

His exceptional achievements were at the intersection of commerce and industrial design (and about the latter, I see that some industrial designers have a bone to pick with you.)

I have written this letter mostly because of one aim of this web site, which is to test the speed at, and degree to which, internet communication – and the advent of the 5th Estate — can correct distortions of the truth. I mean, banish the unfortunate side-effects of limiting the authority to disseminate facts to the club you and I grew up in, the 4th Estate, when that is no longer necessary or desirable.

Best wishes,

Cheryll Barron

How competition for advertising in print media let Steve Jobs warp history and steal the credit for the computer revolution

. 4th Estate moves . , , , , , , , , , ,

[  part I of an assessment: part II is here  ]

I stayed up all night vetting for accuracy Walter Isaacson’s super-sized, authorised biography of Steve Jobs, the i-entrepreneur’s posthumous message to the planet. In Apple’s first decade, I worked as The Economist’s computer correspondent – probably as punishment for unspeakable behaviour in earlier incarnations – and made a case for putting him into the magazine for the first time. It was in a piece about the birth of an industry — a business so incomprehensible that mentioning it at dinner parties was asking to be treated as a conversational leper.

Bob (Robert W.) Taylor, visionary leader of the computer scientists who developed the revolutionary technology Apple copied for the Macintosh. Photograph by Annie Leibovitz for Rolling Stone magazine, 1972

I plan to extend this post in fits and starts over the next few days, as I find time to read all the way through the tome’s 630 pages. My verdict, so far: the narrative is generous with intimate details, especially about his childhood. These either supply (a) all the evidence the Vatican needs to canonise Steve’s adoptive parents, Paul and Clara Jobs, whether or not they were Catholic; or, (b) ample justification for their posthumous arrest – if this were possible – for creating, through staggering over-indulgence, a mini-god that Walter Isaacson reveals to have been infinitely more insufferable and tyrannical than any journalist who resisted his manipulations knew or could have imagined. Small wonder that the one living family member who seems to have evaded the biographer’s tape-recorder is Patty Jobs, adopted by the same parents two years after Steve.

But this biography is profoundly misleading about the history of the computer age, not through errors of statement but of omission.

The key word search I did as soon as I downloaded the e-book confirmed my guess. Not once does it mention Steve thanking or explicitly acknowledging the visionaries and inventors whose revolutionary technology he refined and popularised, striking gold when he packaged it as the Macintosh and its successors.

We are reliably informed that in the months when he knew he was dying, Steve arranged valedictory meetings with friends and old rivals, including Bill Gates. He certainly had enough energy to follow a true genius, Isaac Newton, in his famously modest allusion to ‘dwarfs standing on the shoulders of giants’ — referring to a 12th-century scholar’s reflection on intellectual indebtedness for foresight.

But, no. When I typed in ‘Robert W. Taylor’ or ‘Bob Taylor,’ my e-reader said: Search Result: Showing All 0.  I was looking for any record in the book of the man hardly anyone knows, to whom Bill Clinton gave a National Medal of Technology and Innovation for ‘visionary leadership in the development of modern computing technology, including computer networks, the personal computer and the graphical user interface.’

That was the work Steve appropriated for his own innovation mill. While it is true that the commercial specialists at Xerox — the company for which Bob Taylor and his computer scientists developed personal computer technology – did not grasp its significance, or market all but a fraction of it successfully, that hardly exempts the Apple entrepreneur from finding the grace to insist on including the researchers in his story and saying, simply, thank-you. (I am putting proof of the technology’s origins into a footnote** quoting The New Yorker, whose fact-checking is legendary; also appropriate because Bob is a friend of mine.)

What about Doug Engelbart, the gentle, dreamy inventor of the computer mouse, crucial to the transformation of the personal computer from a Heath-Robinsonian (or Rube Goldbergian) contraption into a cousin – for ease of use and simplicity – of a kitchen appliance? The same answer: Search Result: Showing All 0.

What and who are responsible for this monstrous distortion of the historical record, plain to see in the many obituaries and encomiums, including some from heads of state, referring to Steve as an inventor – rather than a businessman and aesthetic editor — of genius?

Media lust for advertising revenue. Or, you might say, the ‘business model’ used to run mass media today — whose lifeblood is advertising.

By the mid-1980s, if you — as a writer charged with informing readers about the computer industry — did not have your wits about you, you failed to use the most reliable ruse for being awarded more precious column inches in your print magazine or newspaper. That was to announce that you had winkled out a story on Steve Jobs or Apple. Personal computers themselves could not dispatch the glaze of boredom from the eyes of your editors. Even though some of them had reluctantly begun to give up their typewriters for computerised word-processing, the word ‘computer’ would have been perfectly interchangeable with ‘tractor’ or ‘fork-lift truck’ for most of them.

But if you had an offering about the gorgeous, absurdly young — and yes, charismatic — multi-millionaire who looked so good on a cover or under a masthead that streams of articles about him sent advertising revenue screeching upwards – well, your editors loved you. As the Isaacson biography notes, Steve and his chief advisor on press relations understood all this perfectly, and manipulated the media accordingly.

By contrast, if you wanted to write about a Taylor or an Englebart, your first obstacles were these men themselves. They were – are – living to see their visions realised, and thought of journalists as irritating distractions. Steve treated us as pieces in the chess game he was playing with Apple’s competitors.

If your media mouthpiece gave any of Steve’s competitors credit or attention that made him jealous, your publication could be shunned by Apple, which would suddenly overlook you in feeding your rivals choice tidbits of news and hints about marvellous gadgets to come. No matter how seriously your publication took the media’s version of the separation of church and state, knowing about the magical streams of advertising revenue he attracted was operating more or less unconsciously in editorial minds. If you, the reporter, displeased Steve, he unhesitatingly picked up the phone and rang your editor to complain – and the Isaacson book supplies a fine example of an incident exactly like that at Time.

On Monday, George Monbiot wrote a too-rare jeremiad against advertising for The Guardian. He called it ‘poisonous’ —  ‘a drug destroying society’ — for tricking people into craving and buying things they do not need and too often, cannot afford.

But surely its most insidious effect is distorting truth, warping history – and anointing too many of the wrong people, who serve its purposes, as models for future generations?

Monbiot concludes pessimistically that we are stuck with media financed by advertising. But are we, really? And why will no senior editor or media chief publicly discuss alternatives to it, like this suggestion:  The Keiretsu-Cooperative: A Model for Post-Gutenberg Publishing?

Cheryll Barron

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** from a discussion on the Guardian site:

postgutenberg

21 October 2011 11:32PM

lotushunter,

Sorry, but you are wrong.

Jobs provided platforms to do great things. I don’t blame him for how people use the device. Gutenberg changed the world when he developed movable type. I don’t at the same time think less of him because he created a device that led to the printing of Mein Kompf.

Though you don’t actually use the word ‘invent’ or ‘create’ here, your paragraph puts Steve Jobs in Gutenberg’s bracket. That isn’t true because Jobs had nothing to do with the creation of the platform — only with its refinement and popularisation. He was a shrewd and canny entrepreneur with a good eye for design.

The real inventors of the platform did not on the whole look like film stars, as Jobs did — some of the computer scientists worked for the Pentagon and others as researchers for Xerox PARC. Here is The New Yorker on the subject, andthe meticulousness of its fact-checkers is legendary:

Apple was already one of the hottest tech firms in the country. Everyone in the Valley wanted a piece of it. So Jobs proposed a deal: he would allow Xerox to buy a hundred thousand shares of his company for a million dollars—its highly anticipated I.P.O. was just a year away—if parc would “open its kimono.” A lot of haggling ensued. Jobs was the fox, after all, and parc was the henhouse. What would he be allowed to see? What wouldn’t he be allowed to see? Some at parc thought that the whole idea was lunacy, but, in the end, Xerox went ahead with it. One parc scientist recalls Jobs as “rambunctious”—a fresh-cheeked, caffeinated version of today’s austere digital emperor. He was given a couple of tours, and he ended up standing in front of a Xerox Alto, parc’s prized personal computer.

An engineer named Larry Tesler conducted the demonstration. He moved the cursor across the screen with the aid of a “mouse.” Directing a conventional computer, in those days, meant typing in a command on the keyboard. Tesler just clicked on one of the icons on the screen. He opened and closed “windows,” deftly moving from one task to another. He wrote on an elegant word-processing program, and exchanged e-mails with other people at parc, on the world’s first Ethernet network. Jobs had come with one of his software engineers, Bill Atkinson, and Atkinson moved in as close as he could, his nose almost touching the screen. “Jobs was pacing around the room, acting up the whole time,” Tesler recalled. “He was very excited. Then, when he began seeing the things I could do onscreen, he watched for about a minute and started jumping around the room, shouting, ‘Why aren’t you doing anything with this? This is the greatest thing. This is revolutionary!’ ”

Read more http://www.newyorker.com/reporting/2011/05/16/110516fa_fact_gladwell#ixzz1bSRKXGWG

Steve Jobs making his pitch to venture capitalists, investment analysts and the odd journalist