Note at a publishing crossroads: is it time for Ian Rankin to move over and let younger Scots writers take his place?
They’d said it would take me 105 days to get to Mars in Unicorn One. I’d only been going for eight days. The window was facing away from the sun but a glint of refracted light must have found its way through the thick quartz glass. I saw my image reflected amongst the stars. My hair looked terrible.
Now, who on earth could that be?
Ah, … the main character in a delectable short story, ‘Unicorn One’, in a collection titled Storm Damage. Any reader who tests works of fiction by sampling random paragraphs is immediately compelled by this e-work to scroll back a few pages to learn that
… within ten years of standing on that hill with Tommy, I would be selected as Scotland’s first astronaut. Not the first Scot to go into space, of course, but the first one to be chosen for Scotland’s Independent Space Program. The world’s media had regarded our endeavour as a joke. Too long had we been seen as England’s or America’s poodle. The German press had shown photographs of our most dilapidated, forsaken housing estate ghettoes and asked what kind of people would begin a Space Program with this kind of poverty rampant in their back yard.
Even within the Space Program, I had not been a popular choice for first astronaut. They had turned down pilots and scientists, Marines and arctic explorers, mountaineers and deep sea divers, only to choose me, a hairdresser from a remote Scottish town.
‘It’s necessary nowadays,’ they had told me, ‘to find people the public can relate to …
When we reached that sentence, at post-Gutenberg, we were not simply shaken out of a mood best described as chiaroscuro-verging-on-dark. Soon, we were reading all the way back from the beginning – an opening that we would have found just as irresistible, had we started where most people do:
There was a beautiful bird on the branch, singing. It was small with brown wings and perfect white chest feathers. Its tone was too shrill and its eyes darted. Its whole manner was erratic. The sunlight was salmon-pink among the trees and I knew something was wrong, something was going to happen. I didn’t hear a sound, except the bird singing, until the shot went off and chips of wood sprang towards my cheek from the tree I was standing near …
To think that in the old days of traditional print publishing, we might never have had the luck of reading John A. A. Logan — a marvellous writer happily undaunted by chronic cold-shouldering by literary gatekeepers. His success in e-publishing turned him into a lodestar for anyone publishing unmediated e-books as independently as Virginia Woolf once released her own experimental novels in print.
When we wrote about him and other young literary Lochinvars a few weeks ago, we did not mention that we had been thinking of how wonderful it would be if Ian Rankin could only award John his latest monster advance from his publisher in recognition of the e-book writer’s infinitely fresher perspective and fizzing imagination. The once-unique Rankin creation, the boozy, crusty and jaded police detective, John Rebus, has suffered, in recent years, from his inventor’s all too-obvious irritation and boredom with being forced to spin yet another tired yarn about him.
In November, this trend earned poor Ian Rankin the gimlet-eyed attention of a contributor to Private Eye’s books section (issue no: 1328) reviewing his latest novel – described as
full of reliable Scots wisecracking and people saying ‘Back in the day’, and … clearly written at one hell of a lick. Like many a previous Rebus outing, its final effect is to call the whole basis of Ian Rankin’s career into serious question.
Ouch. The Eye did not mince its words, fingering the culprit for this apparently lazy and self-indulgent offering by a writer who has by now grown accustomed to having an overstuffed piggy bank:
Brought to a waiting world amid a flourish of publishers’ trumpets, attended by wall-to-wall publicity … Standing in Another Man’s Grave can be marked down as a triumph for the old-style trade-book model …
Of course old-fashioned publishers are still capable of surprising and thrilling us with new discoveries, but at today’s publishing crossroads, you would have to be a fool to look only in their direction for the best new work.