Advice for Lord Justice Leveson from Lao Tse: how to shape the afterlife of the 4th Estate and assist the birth of its successor

[ On 10 July 2012, The Independent, a ‘liberal’ London newspaper, declined to publish a comment on press reform linked to this post. That polite comment is here. ]

Niklaus Manuel’s ‘Dance of Death’ (‘Totentanz’, 1516-1519) was a hugely popular theme as Gutenberg presses proliferated and the Renaissance was in full sway. It could have symbolised a coming-to-terms not just with death but the dying of old ways.

Presiding over an Inquiry whose conclusions will shape the afterlife of the British press – doomed to extinction by digital media and the new voices of the 5th Estate – Lord Justice Leveson keeps reminding us of the contradiction in the difficult job he has been given. What mechanisms can he recommend to the government for the enforcement of ethical behaviour by the 4th Estate without ‘imperilling the freedom of expression or our free press’? – as he put it during Tony Blair’s testimony in late May.

Post-Gutenberg would like to recommend a fragment of ancient Chinese philosophy as a frame for thinking about a solution to his quandary. Lao Tse reportedly said, in the 6th century BCE,

If we wish to compress something, we must first let it fully expand.

Lao Tse

Rule-making can be seen as a sort of compression – in the sense of limiting, constraining and controlling. It is too soon for anyone, even the admirably wise men at the summit of Britain’s judiciary today, to draft rules for media being turned inside-out by the digital revolution. As perspicacious witnesses have pointed out, any new regulations that minutely specify what the 4th Estate can and cannot do must inevitably pronounce on who should be considered a journalist. How can that be done when the profession’s boundaries are being obliterated by the arrival of the 5th Estate?

It would be disastrous if the Inquiry were to lead to any blocking or impeding of this successor to the 4th Estate. What the arrival of the 5th Estate means for the press is that it has to share the megaphone it has so far had all to itself.  This succession is directly in line with the evolution and improvement of democracy – something that people everywhere want dearly, a yearning that events like the Arab Spring have dramatised.

To watch the Leveson hearings is to see the presiding judge agonise over too many details that an unimpeded 5th Estate will soon make irrelevant or outdated. They take up too much of his time, even when he understandably declines to deal with them in an Inquiry being criticised for taking on too much. As Dan Sabbagh noted in a good summing-up in The Guardian last week,

Leveson has so far showed little apparent desire to get into the question of the ownership structures of newspapers: when invited … to set a cross-media ownership limit that would force a Murdoch sale of the Sun or the Times, Leveson fought shy, “because that involves all sorts of competition issues which would require quite detailed analysis”.

Instead, Leveson went elsewhere to debate some practical solutions. The judge has been surprisingly consistent in the views he has espoused, taking the approach of testing out ideas periodically with witnesses he likes. Leveson is clearly sceptical of the PCC [Press Complaints Commission], telling Financial Times editor Lionel Barber in January that the body was not “really a regulator” but a “complaints mechanism” – and that it needed to be supplemented by another body, a new kind of court, “some sort of arbitral system” to cover libel and privacy claims – an imagined body that the judge said would be designed to be low cost – or to use a phrase he repeated many times “not make extra work for lawyers”. Its nearest analogue would be the industrial tribunals, or the arbitration system used in the construction industry. 

Post-Gutenberg likes the way the judge is thinking about  a replacement for the defunct and essentially toothless Press Complaints  Commission. We would also be happy to see the criminalisation of a small set of completely unacceptable infractions, such as extraordinary invasions of privacy by phone hacking and other underhand means.

But instead of pointless brain-cudgelling about precisely what percentage of which communication medium newspaper conglomerates like Rupert Murdoch’s should be allowed to own, Lord Justice Leveson’s highest priority should be to open the way to the largest number of competitors for the 4th Estate.

In other words, expand, don’t compress should be the principle guiding his recommendations to the government in September.

Check bad behaviour on the part of today’s media elite by maximising  opportunities for the outsiders of the 5th Estate to offer alternative presentations of facts and unfamiliar opinions, and to challenge and expose the biases and mistakes of every sort of media, new and old.

There is no shortage of good ideas for the democratic licensing of access to sensitive information by both professional and non-professional disseminators of facts. In a post a few months ago  on the blog of the International Forum for Responsible Media (INFORRM), Hugh Tomlinson QC made an excellent suggestion about ‘benefits for public interest journalism of creating a category of “accredited journalists”’.  These would be …

… a sub-category of those writing for publication [who] should be given specific privileges to assist them in their work. […] [P]rivileges should not be granted to journalists simply because they are employed to write or because they work for a media organisation.  Neither should the privileges be granted to any “citizen journalist” who claims to be writing public interest stories. Rather, the privileges should be made available to those who pass through a gateway policed by a voluntary independent regulatory body and sign up to an enforceable code of responsibility. [post-G’s ital.]

There are new ways of organising and financing journalism that could use Lord Justice Leveson’s support – even if that only means he will be careful not to hobble the reorganisation of the media as, for instance, a set of cooperatives in which readers and viewers could be offered the chance to become co-owners. In recent months, proposals for setting up and running these have been increasingly detailed and specific. (See, for instance, the mention of Paul Smalera’s suggestions in ‘Why a keiretsu-cooperative is a gentle transition for old media …’.)

The mere existence of the Leveson Inquiry has already had salutary effects. To give a small but critical example, the moderation of comments in The Guardian’s popular comments sections has become far less trigger-happy. Commenters are not being censored quite so reflexively for opinions or factual posts that conflict with that newspaper’s views and political positions, or criticise its friends. Last weekend, it was heartening to see a post about the Inquiry itself opened for comments after months of prohibition on grounds that made no sense – and to be able to read contributions to the debate about Ian Jack’s illuminating comparison of Leveson with an earlier government investigation of press practices.

As for the Leveson hearings, per se, their radical transparency — with a presiding judge confident enough to muse aloud and react spontaneously to testimony —  goes far beyond what many of us could even have imagined as a model of open government. (The best demonstration came an hour after this post: here). American lawyer friends looking on in awe tell us that nothing in the US system would permit Americans to copy the form of these proceedings.

Most amazing has been the discovery that the conduct of the Inquiry is characteristic of an exceptionally progressive judiciary. Utterly unlike the notoriously slow-moving and stodgy legal system wickedly satirised in Dickens’s creation, Jarndyce and Jarndyce — a court case that grinds on for generations – Britain’s top judges are not just acknowledging the implications of new communications media and adjusting to them, but doing so faster than the professionally nimble 4th Estate.

Post-Gutenberg only recently came across a news report from the spring of last year about a speech in Israel by the Lord Chief Justice, Baron Igor Judge, who put Sir Brian Leveson in charge of this indescribably gratifying investigation into press culture and practices. He explained that in Malta, where he was born, one of his grandfathers owned and edited a tiny newspaper. His sympathy for the press’s problems is, in a sense, inbred. But he favours the transparency and inclusion that are more the defining characteristics of the 5th than the 4th Estate – even for keeping his own legal system honest:

His “fervent hope” was that new technology would make it easier for the media to be “present” in court, reporting the proceedings, and “the present trend of fewer and fewer reporters in every court would come to an end”.

In an apparent reference to “virtual” courts based on video-conferencing, Judge insisted that justice should be done “in a public forum to which the public, or the media, has access”.

He continued: “Technology must not lead to justice done in secret, or some form of hole-in-the-corner justice.

Post-Gutenberg wishes to offer just more one scrap of advice to Lord Justice Leveson – who has invited everyone, however obscure, to contribute thoughts to his hearings: please do not allow political partisanship by the press to be conflated with press freedom. As we observed in a recent post in this spot, sanctioning political one-sidedness means licensing powerful media owners to be king-makers, with all the compromising wheeling and dealing that goes with that. It means condoning the skewed reporting of the facts so essential to the functioning of a genuinely democratic government.

With a fully licensed 5th Estate in full cry, media conglomerates trying to run Britain, with lots of help from British prime ministers – or what the Economist appears to dismiss nonchalantly as the inevitable ‘proprietor problem’ —  should be shown their proper place. And where would that be? If not oblivion, then as far below the salt as possible.

Gatekeepers II:  why not learn, like Bill Gates — so as not to dismiss subjects like intellectual India from blind ignorance?

‘The Indian Genius’: watch the menu at the top of the home page for a forthcoming compilation of articles on subcontinental topics.
Photograph by Amita Chatterjee

Before I built a wall I’d ask to know

What I was walling out and walling in …

‘Mending Wall’, Robert Frost, 1914

Gatekeepers would get more respect in this sceptical internet age if they could only acknowledge the vastness of what they – like the rest of us – do not know. The assumption of omniscience is inevitably a curiosity-killer. Satisfying deep curiosity – as even the most hopeless pilgrim on the road to wisdom knows – calls for humility, and for moving out of your zone of comfort in more than one sense. So it was that soon after Bill Gates stepped out into 44°C heat in the northern Indian city of Lucknow a few days ago, he went on Twitter to send out a link to a new post on his blog, thegatesnotes.com — a preview of a video report about this latest expedition to the subcontinent:

His entries about the trip are what you would expect to see in the online diary of the world’s most prominent philanthropist. He explores slums. He calls on chief ministers of Indian states. He visits medical research laboratories to check on progress in developing new vaccines. At the end of the short video clip, he gives his chief reason for travelling to this part of Asia: ‘Most of all, I go to learn.’

It was not subcontinental weaknesses and poverty but India’s strengths that originally put this country on his radar screen, when Bill was still running Microsoft. About a decade ago – and before he and his wife Melinda assumed control of their charitable foundation – he acknowledged Microsoft’s extraordinary dependence on Indian engineers for its operation and continued success. (See, for instance,  ‘Gates goes gaga over India’s developers, education system,’ The Economic Times, 14 November 2002).

As everyone in Silicon Valley is well aware, whereas the Chinese shine most brightly in computer hardware research and design, software is where Indians excel. This is not accidental. Cultural traditions going far back into antiquity supply highly plausible explanations for the difference. But you would be hard-pressed to find any book-length accounting for it.

Why?

Because book publishers in both the UK and US do not believe that readers have any interest in the subject – even though many thinking people, not just technologists and tech-entrepreneurs, know …

  • … that in the late 1990s, help from Indian programmers was crucial to averting the Year 2000 (Y2K) crisis that could have been disastrous for people using computers everywhere – however indirectly, as in digital telephone networks and computerised banking. Their energetic re-programming corrected the error that had left most computer software with no means of recognising, or independently adjusting its time-keeping for, the start of a new millennium.
  • … that, as much of a shock as it was for many Westerners to have to turn to the land of bullock carts and yogis for help with computers, the Year 2000 work was relatively trivial by comparison with evidence of the Indian aptitude for software design and development at the most sophisticated levels. That is why the loftiest rungs of research and management at Google, Microsoft, Adobe and other technology leaders are thickly populated by professionals of Indian origin.

In 2003 and early 2004, a book proposal and essay discussing the reasons for these phenomena were shopped to more than one newspaper and magazine – before a letter about the project landed on the desk of David Goodhart, the founding editor of the British magazine Prospect (whose charter, at its 1995 launch, called for it to succeed as a cross between the vanished Encounter and The New Yorker.) His unusual curiosity, easily the equal of Bill Gates’s, led over the years to him coaxing contributions to his magazine out of Francis Fukuyama, Margaret Atwood, and J.M. Coetzee, among other provocative intellectuals.

An article accepted and edited by David, setting out a hypothesis about Indian excellence in software and titled ‘The Indian Genius,’ ran in the April 2004 edition of Prospect. Its writer was invited to address a seminar in Paris at the French Senate on India’s transformation by globalisation, and gave a paper that had an exceptionally enthusiastic reception.

None of this changed the minds of our gatekeepers in Western publishing or led them to delve into the question of whether there was indeed an audience for a cultural and historical explanation for India’s competitive advantages in software, and how the West should react to them. Did they make any effort to fill gaps in their knowledge of Asia — if only as a gesture towards matching the depth and breadth of Indian interest and immersion in the Western cultural corpus? Apparently not.

What is to be done about this? Paul Kiparsky, a professor of computational linguistics at Stanford University, also a Sanskrit scholar, does not believe that the project will find the support it deserves until a sufficient number of wealthy Californian entrepreneurs of Indian origin are not just ploughing their money into new technology ventures and alleviating poverty in India, but turning their attention to Indian culture, scholarship and art.

While we await that happy day, post-Gutenberg will — as time and stubborn formatting gremlins permit — compile a small archive of essays and articles related to Indian intellectual contributions. Our first post will be the original version of the Prospect piece on India and software, truncated as the magazine was going to press, to make room for a reaction to train bombings by terrorists in Madrid.

In searching for links to post here for readers, we found that British Library Direct has begun to charge close to £ 20 for access to the article’s edited version. This, oddly enough, is being done without the permission of the author, or an offer to share any part of the proceeds – but its being offered on that site is additional confirmation that there is a readership for the subject.

If book publishing’s gatekeepers were less incurious, would the ascendance of China and India have come as such a shock to the West?

The answer is, unfortunately, all too obvious.


Gatekeepers I: in defence of Rachel Cusk — let cross-cultural flowers bloom in simultaneous international e-publishing

‘Brobdingnag o Lilliput’: the net has room for radically opposed perspectives and taste
in art and literature (see nearly invisible figures at base of shop windows).
Photograph by MIL22

Readers, all three of you, know that this blog could be one of the greatest fans Private Eye** has ever had – not just for its satire in direct descent from Jonathan Swift and other upholders of the grotesque tradition in English literature; not only for its unique compendium of whistleblowing about misused power and authority in Britain published every fortnight, but also for the futuristic modus operandi that makes these offerings possible.

This means that it is with excruciating reluctance that we at post-Gutenberg ask why the Eye keeps savaging the novelist and memoirist Rachel Cusk, who is capable of dystopian flights of prose of this calibre —

Summer came, clanging days of glaring sunshine in the seaside town where I live, the gulls screaming in the early dawn, a glittering agitation everywhere, the water a vista of smashed light. I could no longer sleep; my consciousness filled up with the lumber of dreams, of broken-edged sections of the past heaving and stirring in the undertow.

It reminded us of …

She listened … there was only the sound of the sea. … She saw the light again. With some irony in her interrogation, for when one woke at all, one’s relations changed, she looked at the steady light, the pitiless, the remorseless, which was so much her, yet so little her … but for all that she thought, watching it with fascination, hypnotized, as if it were stroking with its silver fingers some sealed vessel in her brain whose bursting would flood her with delight, she had known happiness, exquisite happiness, intense happiness, and it silvered the rough waves a little more brightly, as daylight faded, and the blue went out of the sea …

… lines by another good writer, about whom we’ll have a bit more to say in a moment.

The first passage is an extract from Cusk’s Aftermath: On Marriage and Separation, published this spring by Faber and Faber, today’s most prestigious literary imprint in Britain. With such a backer, she certainly did well with the gatekeepers in the sense in which the term is being used now – to refer to the old print media mafia of literary agents and editors deciding whose manuscripts will be lifted out of the slough of rejection, then promoted energetically, or left there to rot.

‘Gatekeeper’ could reasonably be used more widely, to include the reading public of a particular place either giving scribblers permission to think, feel and write in the ways that come most naturally to them – or attacking them or otherwise discouraging them from doing so.

That sanction has so far largely been denied to Rachel Cusk in Britain – for her divorce memoir. The Eye is far from her only excoriating mocker. Other British newspapers and innumerable citizen-commenters on reviews and articles about her have lambasted her eidetic, intelligent and ferociously self-critical account of this sad passage in her life. She has been denounced for solipsism, wallowing in dark emotions and imagery, and wrecking her own family’s privacy. For any objective witness to this battering – watching a long way from literary London – the last criticism is the most puzzling. Not once does she name her ex-husband or make it possible to identify him by his occupation, which has anyway changed since their divorce. Nor are her children easily identifiable, since they have no Christian names in her story, and presumably the surname of their father.

Yes, some of these facts can indeed be discovered online, but not by her choice – only, you suspect, because of the snippets of real life information extracted from her in publicity interviews on which book publishers insist, brooking no compromise.

You wonder why the anger about the baseless accusations of privacy invasion are never directed at ‘luvvie’ newspaper columnists, bloggers and social media networkers who never have to open the kimono, apparently delighted to live with it flapping high above their heads in a permanent hurricane of disclosure about themselves and their near and dear.

Cusk’s actual mistake was in violating the unwritten and unspoken rule for English writing in England – one that tends to make Americans uncomfortable. It decrees that sustained introspection and emotional intensity – when tending to chiaroscuro, if not outright melancholy – must be undercut by wit, poking fun at oneself, or some form of outrageousness like the scatological riffs and downright nastiness in some of Philip Larkin’s poetry. Admitting to admiring the lyrics of Leonard Cohen is asking to be sent to an aesthetic Siberia in most social circles. That makes no difference to those of us who marvel at the way sounds marry words in his contributions to music – even if we do believe the world’s greatest literary tradition to be English, inevitably: it shaped our taste.

But that is not the same as thinking that English aesthetic preferences should be used as a universal yardstick.

North America has crept into this scrap of wondering because Cusk’s writing style has partly been shaped by the years she spent there as a child. Her Mood Indigo prose in this memoir – I look forward to reading the others, and her novels – is strongly reminiscent of Joan Didion’s.

If Aftermath had been published simultaneously as an e-book in Britain and America – instead of in the UK alone – she would surely have elicited a more sympathetic or certainly, balanced, reaction from a cross-cultural audience. 

As sharp-eyed lit-critters have already guessed, the writer of the second extract quoted in this post is none other than Virginia Woolf – in To the Lighthouse. Much of her oeuvre consists of narcissistic, depressive, long-drawn-out exercises in introspection. Yet expert and non-expert British readers grant her genius status. Does a female writer have to be a victim of incest, and mentally ill, and finally, a suicide, to be allowed to say what she wants to as she sees most fit?

In a special editorial, no less, about Cusk, not long after Aftermath was published, The Guardian asked whether children can ‘really be counted as acceptable collateral damage in the self-styled vocation of the artist’ — without a substantiating word or phrase for the accusation. … Well! Should literary critics include in evaluations of the works of Virginia Woolf the question of whether it was right or fair that Leonard Woolf should have been obliged to interrupt his literary career, chronically, to serve as his wife’s psychiatric nurse? A nonsensical question, yes, but no more so than the one about damaging children.

The Guardian feels justified in lashing poor Rachel Cusk for writing a book that ‘plunges headfirst into the phenomenology of pain, which she wraps in a beautifying prose.’ Note the use of beautifying rather than beautiful – the compliment her sentences amply deserve – hinting that her writing so well must be reckoned another crime against decency; lipstick on a pig.

Time and the net will, we suspect, deliver the respect she deserves – for giving us, for instance:

We too came by car, along the motorway and then on smaller roads that took us through countryside and villages, little redbrick places that reminded me of the village where I used to visit my grandmother as a child. We lived in America then, and that English village, so damp and miniature-seeming, so full of twists and turns and cavities, constituted my education in the country of my parents, where soon I would come to live for good. In California I wasn’t quite sure who I was: large pieces of the jigsaw were missing, and it seemed that the missing pieces were here, in this rain-darkened place. I half-recognised them, the antiquity and the expressive weather, the hedgerows with their mysterious convoluted interiors, the sense of a solid provenance that underlay the surface movements of life like wood beneath the burnish: they were part of me and yet they lay outside me. … I was an onlooker, though I didn’t want to be. I wanted to live in the moment instead of always being lifted out of it into awareness, like a child lifted out of its warm bed half-asleep in the thick of night.

Brava! Rachel Cusk. Carry on scribbling, don’t let the Mini-Englander mentality get you down and in future, insist on simultaneous international publication.

——————-

** Feeling a bit low?  antidote: ‘Never too old’, a new love story by Dame Silvie Krin

Blogging shakes off its bastard status as the Leveson Inquiry legitimises non-professional, post-print media

Cartoon by an unknown artist at an exhibition, King’s Cross, London, 24 March 2012
Photograph by Katy Stoddard

A journalist giving evidence at the Leveson Inquiry on 23 May answered questions from the lead counsel, Robert Jay, QC, about his written submission – until the Bench intervened: 

Q.  … Can I ask you … about the arrangements or the negotiations with politicians which you say can become very convoluted. …

A. … I do find it easier not to have politicians as personal friends.  …

Q.  In the context of the symbiotic relationship you go on to describe?

A.  Yes.  I mean, it is like ticks and sheep, isn’t it?  One can’t exist without the other.

Q.  …  You might become parti pris or become just a little too understanding.  It’s obviously those vices which you carefully eschew.  Is that fair?

A.  Yeah, I mean I don’t want to set myself up as some sort of absolute prig here.  … I find it easier and cleaner to have a disconnection, that’s all … [A]nd the only justification, I think, for our existence, is that we act on behalf of the citizen.  We don’t act on behalf of the powerful or the vested interest.

LORD JUSTICE LEVESON:  Nobody will think you’re a prig, Mr Paxman, having just compared yourself to a tick.

Jeremy Paxman at the Leveson hearings

In 1999, after Jerri FitzGerald – the only doctor in a 41-person team on a research expedition to the South Pole – discovered a lump in her breast, she ‘performed a biopsy on herself with the help of non-medical staff, who practised using needles on a raw chicken.’

Everyone expecting courageous, detached professionalism in another sphere from newspapers covering the Leveson Inquiry into press standards and practices has been sorely disappointed. The most important story emerging from the hearings – confirmation of judicial sanction for members of the public who choose to blog, and for an unprecedented range of sources of information for voters seeking to make good voting decisions – is being concealed through a nearly exclusive focus on the implications for David Cameron’s government of sensational revelations from the phone hacking scandal.

All reporting on the Leveson proceedings by the press has been highly selective. Readers have even been deprived of such fun as the judge’s gentle takedown of the BBC’s best-known inquisitor on politics – the suave and debonair TV journalist Jeremy Paxman – recorded in our epigraph.

Reporting by traditional media about the changed status of blogging is non-existent, scant or distorted – sometimes gravely. Andrew Marr, one of the most respected political commentators in Britain, had this exchange with the Inquiry’s chief interrogator, Robert Jay:

Q.  …  [A]n article from The Guardian,  11 October 2010, … reports you as dismissing bloggers as “inadequate, pimpled and single” and citizen journalism as “the spewings and rantings of very drunk people late at night”. … Is that comment about … the tone and quality of some of the online debate, or is it a more fundamental criticism of bloggers as being detrimental to the good name of journalism?

A.  …[I]t’s partly a symptom of my deadly weakness for a vivid phrase.  It was a comment really aimed at the enormous amount of anger and vituperation that seemed to me to be swilling around parts of the Internet, most of it anonymous.  I was probably a bit out of date even if I was saying that. Now, you know, you look around and a lot of the most influential highly respected political commentators aren’t newspaper journalists, actually, they are bloggers.

In The Guardian, Dan Sabbagh supplied a master-class in biased reporting in a news story radically watering down Marr’s testimony about the value of political commentary by bloggers:

Lord Justice Leveson has queried whether bloggers would have to be brought in a revised system of press regulation, as he heard evidence from Andrew Marr about the growing power of political websites.

The BBC journalist and politics show presenter said that ConservativeHome and other sites are “now as influential as any newspaper” and any new system of regulation proposed by the judge “would have to include those alongside newspapers”.

Whereas the Sabbagh report had the judge merely reflecting ‘rhetorically’ on ‘the boundaries of regulation’ – meaning the degree to which bloggers would be treated as part of the 4th Estate – anyone paying close attention would have heard Lord Justice Leveson agonise about a ‘nightmarish’ task of a very different sort. What he said was clearly predicated on bloggers and citizen journalists not being be excluded from any new system of press regulation. His dilemma, he explained, lay in deciding exactly who should be required to redress complaints about journalistic misbehaviour in that new system – that is, wrongdoing not just by those traditionally considered journalists but by anyone practising journalism.

The judge must wrestle with the distinction within the blogosphere between those whose writing amounts to comments for the sake of commenting, versus ‘those that are in the course of — if you like, a trade or business.’ Or, as he later rephrased that division, bloggers and other newcomers who are ‘simply commenting and those who are doing more and getting towards the business end of journalism.’

It is money changing hands for commentary that is, for him, the key point of difference between traditional and non-traditional journalists – not levels of expertise, or indeed any intrinsic entitlement to comment.

Andrew Marr at the Leveson hearings

In another fascinating interlude in that day’s testimony, Andrew Marr noted – earlier – that a special category of political blogger had appeared on the scene:

I think what the world of the influential political blogger has done is introduced a new player into the system who isn’t the full-time professional journalist with a press card working at Westminster under an editor and isn’t a politician, but is somewhere between the two.  A lot of these people are card carrying party members.  […]  They have particularly strong contacts with their side.  And therefore you can’t treat them as old-fashioned journalists under old-fashioned journalistic codes …

Then, with commendable honesty, he added that newspapers had begun to employ these professionally partisan political bloggers – if not mentioning what post-Gutenberg has in recent posts about the ‘old-fashioned’ press now claiming partisanship as a basic right of a free press.  Paid political bloggers, he said, are

an  influential new thing.  I mean, even a lot of the papers are picking people up and using them as commentators now. I think the old distinction between a political player and would-be professional journalist is breaking down, and any system which is built upon the old system will quickly look out of date as well.

On Dan Sabbagh’s keyboard, that testimony was conspicuously tweaked, like the rest of his report – and made no mention of newspapers bringing spin-doctors into the fold:

Marr said that political bloggers were often “card-carrying party members” often with “strong contacts with their side”, which meant that they could not be treated as “old-fashioned journalists” but were nevertheless increasingly significant.

What a good thing it is that no member of the Inquiry’s outstanding legal team misses a beat.

There was, for instance, the moment when Marr told the presiding judge that the ‘buy-in from the editors and the journalists who are going to be part of it,’ would be critical to the success of any new system of regulation introduced.’ He emphasised that ‘you need them to be plugged in … enthusiastically and willingly so.’

This conversational minuet ensued:

LORD JUSTICE LEVESON:  In relation to buy-in, of course, if I’m going to recommend any system, it has to be a system that everybody has to buy into.

A.  Yes.

LORD JUSTICE LEVESON:  It will only have a chance of working if it works for the press, it works for the public as well.

A.  Mm.

… Not for ages has anything in public life offered the satisfaction of seeing right being done to remotely the same degree.