Alan Rusbridger must please not let ‘Guardian membership’ mean bread-and-circuses, and prove that he is sincere about ‘mutualised’ journalism

Guardian members will expect to share its media megaphone – on virtually equal terms - Hugh Lofting drawing for a book in his Doctor Dolittle series (1920-52)

Guardian members will expect to share its media megaphone – on nearly equal terms
– Hugh Lofting drawing for a book in his Doctor Dolittle series (1920-52)

It is the next stage in the rolling out of The Guardian’s new ‘paid membership’ scheme for readers and commenters that we want to see. This was the summary of the plan by The Financial Times last week — unaccompanied, as far as we know, by any comment or analysis, so far:

The Guardian has launched a paid membership scheme, as it seeks to narrow operating losses that reached £33.8m last year.

The newspaper, which has resisted charging for access to its online content, will offer readers access to events and a new purpose-built venue near London’s King’s Cross.

Top-level members, known as patrons, will be charged £60 per month and will also have access to tours of the Guardian’s newsroom and print site. Mid-tier “partners” will pay £15 per month, while non-paying “friends” will also be able to book tickets to events.

The Guardian has no pressing need for profitability, with £842.7m in cash as of March, after selling its stake in car magazine Auto Trader.

We hope that there is more to this idea than supplying forms of theatre – either professional entertainment, or the thrilling chance to watch genuine Guardian journalists and editors tapping at their computers. We resist cynicism, at post-Gutenberg. Yet the reminder that came instantly to mind was of the ancient ruses in Europe for diverting the populace from noticing social inequality – known as ‘bread and circuses’. This was an accusation also levelled at the splendid Medici family, at the pinnacle of its wealth and power in Florence during Italy’s Renaissance:

… The days of adventitious sharing in the noise and warmth within an open palace door and a hand-out of the leavings were over; the populace was firmly excluded from the pleasures of the rich.

A similar withdrawal took place with publicly organized occasions of holiday mood. Bread and circuses: Lorenzo de’ Medici was accused of soliciting in the 1470s and 1480s the support of those excluded from a voice in government by lavish public entertainments: tournaments, street pageants. … In a republic that had been subtly manipulated into a narrow oligarchy it was natural … for opponents of this tendency to remember with alarm how the emperors who subverted the republican constitution of ancient Rome had employed gladiatorial and wild beast combats to occupy simple minds. A century after Lorenzo, however, with the rising price of bread and popular insurgency that rose with it, the issue of diversion was seen in terms of practical contemporary politics. ‘Because the common people are unstable and long for novelty, wrote Giovanni Botero in 1589 in his Reason of State, ‘they will seek it out for themselves, changing even their government, and their rulers if their prince does not provide some kind of diversion for them.’

The Civilization of Europe at the Renaissance, John Hale, 1994

Bread-and-circuses is surely not what Alan Rusbridger, The Guardian’s editor, has had in mind, in his speeches and interviews about the ‘mutualisation’ of journalism. This is what he said on the site of Harvard’s Nieman Journalism Lab, in replying to a British commenter on a blog post about turning readers into paying members as an economic survival model for media organisations (part of their exchange):

Han Gough

It’s certainly interesting. And I’d be happy to support the Guardian. But I can’t for the life of me work out what benefits I would gain from membership. I live in a university town in the south west of England and there are no events scheduled in a 300 mile vicinity! And that building looks nice but I’m never going to get to use it. To be a Guardian “member” must one live in Islington???

I feel that the Guardian’s values, and it’s history as the Manchester Guardian, have been somewhat lost in translation. […]

alan rusbridger •

Han, this is a beta launch of something that will become more interesting in a few months and still more interesting once the Midlands Goods Shed is up and running. We haven’t forgotten the rest of the country (or the rest of the world) and will announce further and better plans. This is just the initial announcement…. a *very* soft launch. And thanks for kind words about the Guardian.

Han Gough •

Wow. Thanks for your reply. I wasn’t expecting that. I only posted here because there didn’t seem to be anywhere else to comment.

It sounds like a wonderful idea. And I can see how it would be really exciting if I lived in central London. But £15/month is quite a lot of money. […]. And even if you did put on an event at some point in Exeter (which is where I am), will you ever manage to put on £15-worth of events every month?

Also one of the reasons I like and read the Guardian is for its socially progressive values but this feels regressive at first sight. It’s providing opportunities for an already privileged segment of people: those who are cash-rich and live in London. That’s what I meant when I said it seemed out of step with the spirit of the Manchester Guardian. I can really understand why the Scots have had enough. It is this mentality that London and the south east of England gets the lion’s share and the rest of us roll over and pay for it. […] Thanks again for your reply.

The reason why Han Gough living in Exeter, in England, had to go to a site owned by an American university to react to the Guardian scheme is because that newspaper did not allow public comment on it. A box beneath the notice about it on The Guardian’s site invited readers to submit feedback on a form whisked invisibly into the paper’s mysterious innards. Ah so!

What would be better – much better – than what we have seen, so far, of The Guardian’s plan? Strangely enough, it was from the comments section of that Nieman site at Harvard that someone outstandingly practical contacted post-Gutenberg with the answer, three years ago. This is how our report about this most helpful encounter began:

A stranger, someone astute and entrepreneurial, emailed me about a comment posted in a discussion about the future of journalism on the site of Harvard’s Nieman Lab. ‘I think you’re on the right track with your focus on the business-model issue,’ he said.

He was referring to an outline of a means for old media organisations to move into post-print publishing in a Networking Age in which readers want to be more than passive audiences – to do more than influence stage management and be free to perform themselves. I set out a scheme for turning readers into financial stakeholders or co-owners – experimentally, at first, on parts of newspaper sites – suggesting that this might be an ownership structure for the future.

The essence of the idea was that every subscription would also be a share or financial stake in prospective profits. It would be an inducement for each reader or viewer to help bring many more visitors to a site. It would both help the site owner to attract more advertising and – implicitly – reduce dependence on advertising, if the concept of subscription-stakes caught on and went viral. …

[ continues here: ‘Co-owning media is on the horizon …‘ … ]

Also see:

Can Alan Rusbridger do what he must to make a true mark on media’s future history?

 

On media’s stage, a scenery shift: De Correspondent shows off thrilling new props verging on a ‘keiretsu-cooperative’; a NY Times columnist tugs the curtain on the old set

android dec 2011 to nov 2012 035

Betwixt and between: stage hands at work - postgutenberg [at] gmail.com

Betwixt and between: stage hands at work
– postgutenberg [at] gmail.com

A group of Dutch media innovators – inevitably, young, as noted here last week – has created an actual, working prototype of what we expect to be a popular style of organisation for publishing in the near future. It has no advertising. It is financed by reasonably-priced subscriptions. Most important of all, it puts commenters on articles – the people it prefers to refer to as ‘contributors’ – at the centre of its enterprise, treating them as honoured extensions of its founding family. Wondermooi. That is exactly what we recommended in 2010 when, in keeping with the fuzzier usage of the time we referred to this same constituency as ‘bloggers’ — or ‘blogger-commenters,’ after a critic rightly demanded a clarification.

We did not foresee a big, ambitious media venture being able to do without advertising so soon. Nor did we anticipate that one would launch itself with crowdfunding, which Kickstarter was just beginning to turn into a household word four years ago. De Correspondent raised a breathtaking $1.7 million between March and September last year. In a post in April on the site of Harvard’s Nieman Journalism Lab, Loes Witschge reported a remarkable feat in a country with a population of just 16 million:

On March 18, [Rob] Wijnberg, former editor-in-chief of the young-adult-targeted newspaper nrc.next, proposed his idea for a new online journalism platform on Dutch national television. Within 24 hours, his team had raised half its goal, and after eight days, Wijnberg got an earlier than expected go-ahead: 15,000 had subscribed, and many had added donations on top of their subscription fee. In just over a week, in a small country, the Dutch crowdfunding project De Correspondent had raised over €1 million (about $1.3 million).

By this spring, the group had 24,000 subscribers – the proportional equivalent of 450,000 in the US, Wijnberg says — each paying roughly $80 (€60) for the privilege.

Now this, you might agree, is seriously important news. Print media are desperate for a viable new economic model. So, has The New York Times written about De Correspondent? Er, … no, unless we’ve been using the wrong search terms, hunting for evidence. The Guardian, another of the most-visited sites on the net? The Telegraph? The Independent? The Economist? Apparently not – and anyone who has proof to the contrary must please leave a comment with appropriate links beneath this post. … Oh, and there is no point in trying to look up its history on the Wikipedia for anyone irritated by having to make do with a machine translation from Dutch.

We only learnt of De Correspondent’s existence in checking that search engines were keeping up with our last entry on post-Gutenberg, using, for search tags, ‘new media’ and ‘business model’. Its own site is naturally the best guide to its modus operandi, but the applause it richly deserves is to be found exclusively on new media sites of the likes of Journalism.co.uk, Gigaom and MediaGazer. On the Medium blogging platform, Ernst-Jan Pfauth , another founder, explains under the headline ‘Why we see journalists as conversation leaders and readers as expert contributors’:

Every reader is an expert at something

Lately, there has been a lot of talk about news sites shutting down their comments sections, since readers’ contributions are often too obtrusive (read Mathew Ingrams excellent post about this).

Here in Amsterdam, we sincerely regret these developments, since we believe that modern journalists shouldn’t see their readers as a passive group of annoying followers. Instead, they should regard readers as a potential gold mine of expert information. That’s why, at De Correspondent, we encourage our journalists to function as conversation leaders and our members as expert contributors.

At De Correspondent, we owe our very existence to our members, since we launched our Dutch ad-free journalism platform after raising a total of 1.7 million dollars with a world record breaking crowd-funding campaign. We encourage our correspondents — who all have their own niche — to tell the stories that they feel are important, instead of just following the hype cycle of the news.

He also said:

We end every article with a question to our members

In our custom-built editor Respondens, we have a special field called ‘Oproep’ (which translates to ‘Call-up’). Correspondents can use that field to make explicit what they would like to know from their readers. The call shows up underneath the article and steers the contributions in the direction the correspondent finds journalistically most relevant.

We invite members to write guest articles

We continuously invite our members to write guest posts. […]

There is no mention of turning those subscribers into shareholders and running De Correspondent as a cooperative – yet. That might be an idea for another group to try, one we hope will give us the sort of laugh these Dutchmen did in setting out their names — well-established in Netherlands media before they banded together — as follows: Rob Wijnberg (1982), Harald Dunnink (1981), Sebastian Kersten (1976), and Ernst-Jan Pfauth (1986).

Advertising their birth years, you might suppose, amounts to a sign reading, Oldies Keep Out. But, not quite. The first part of ‘the keiretsu-cooperative’ in the paper that started this blog in 2010 referred to the Japanese name for a network of firms collaborating as trading partners, in a proposal for a news site (long-established or new) sharing the initial expense of starting and running a subscriber-owned cooperative with a partner in, say, book publishing. De Correspondent says it is working with:

De Groene Amsterdammer (founded in 1877) … a weekly magazine of ideas and opinion; it is perhaps best comparable to the New Yorker and the New York Review of Books[…] De Groene Amsterdammer will share some of its content as well as its editorial and investigative resources with De Correspondent.

… and …

Momkai (founded in 2002) … an independent, digital creative agency in the Netherlands that is renowned for its ability to combine conceptual thinking, design and technology in the creation of online formats and campaigns. Momkai is founding partner and responsible for the brand, the website, the identity and the campaigns. Momkai also created a new publishing framework and editor for De Correspondent called Respondens.

… Well, well, well – we thought, spotting Monday’s column in The New York Times by its media correspondent, David Carr: this De Correspondent has not been born a moment too soon. Snippets that stood out in the column, a review of a new book — a roman à clef about New York newshounds by Michael Hastings, a journalist killed tragically young in the 2003 Iraq war:

… [P]oliticians and journalists are now neck and neck in a race to the bottom of public trust. According to a poll released by Gallup last week, fewer than a quarter of news consumers trust what they read, watch or click on, a historic low.

… Much has changed since the period Mr. Hastings chronicles, most notably that the audience has fled established print outlets …

… The public is less prone to the allure of Great Men pontificating from inside a magazine, the television or behind a lectern at a news conference. The jig is up.

The public is ready to share the stage, onto which De Correspondent has invited it to step up and join fully in the action. Bravo for the courage to try out a new idea — never mind if the degree to which it has succeeded so far is hard to judge for those of us who cannot read in Dutch. And a hat tip to David Carr for facing the facts, refusing to bury his head in the sand, and telling us what he sees — truthfully.