How Switzerland’s naughty winter carnival, Fasnacht, is in the same tradition that gave it the rich world’s most accessible tool for opposing inequality

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Fasnacht is being celebrated, now, in Olten, which is at centre-stage in a tale of two cities in a two-part photo essay on Exposure.co (part 1 and part 2).

Fasnacht is being celebrated, now, in Olten, which is at centre-stage in a tale of two cities in a two-part photo essay on Exposure.co (part 1 and part 2). — photographs by postgutenberg [at] gmail.com

An old idea of cynics is that the worst Christians are always in church to confess their sins on Sundays – in the belief that they are free, after that, to behave as disgracefully as they please for the rest of the week.

Certain aspects of the tradition of pre-Lenten license and lasciviousness could be an approximate parallel, across a whole society, for transactional piety or pseudo-piety – at least, in society as it used to be, when most Westerners were still church-goers. But the parallel is only interesting to weigh as a possibility, and cannot be stretched very far.

In the second half of this post, the connection between Lent and the winter carnival that has preceded it since the Middle Ages, in parts of Europe – and known by the Germans and Swiss as Fasnacht — is explained by Burcu Bayer, a young graduate student in the philosophy department of Turkey’s Yildirim Beyazit University. What she says with a delicious freshness, in a text with distinct notes of Google Translate, shows that Fasnacht-like celebrations are a hugely desirable social safety valve — unlike the petty bargains of hypocrites bending the confession box to their nefarious ends.

Indulging in a good old bacchanal before the fasting and other deprivations of Lent has, by ancient sanction, created an opening for have-nots to mock haves, and – for a few days – give the social order a good rattling.

It cannot be an accident that Switzerland, incontestably the world’s most disciplined and orderly society, celebrates Fasnacht’s setting aside of the usual rules for behaviour with special zest and relishing.

The street scenes in this post are from Olten, one of two rival cities in Enemies: a cash-strapped traveller’s search for the secret of Switzerland’s extreme equality, a book showing how the Swiss have managed to make extreme democracy practical – a long way from untethered intellectualising or idealism. There was certainly no drunkenness, obscene or wild behaviour on display anywhere the camera went on a Saturday afternoon and early evening (in a sequence of events recounted here.)

Olten has a strange and fascinating history as a leader in overthrowing feudalism – starting with its rebellion against the authority of the Catholic Church. The first of the two extracts that follow is from a review of a new book arguing that it was not the seeds of modern scientific thinking that led Westerners to value individual freedom and responsibility as supremely important, but dissent inside the Church:

‘What is the West about?” asks Larry Siedentop, an emeritus fellow of Keble College, Oxford. […] In “Inventing the Individual,” he asks where the Western understanding of liberty comes from and finds—unlike most political thinkers—that its source is Christianity.

This part of the answer, as Mr. Siedentop notes, may prove irritating, because it flies in the face of the comfortable idea that democratic liberty, like modern science, grew out of the 18th-century Enlightenment and, in particular, out of the Enlightenment’s struggle against a reactionary and oppressive church. Not so, he says. Western freedom centers on the notion of the responsible individual endowed with a sovereign conscience and unalienable rights, and that notion emerged, in stages, during the centuries between Paul the Apostle and the churchmen of the Middle Ages.

… In the ancient world, he says, the individual did not exist as such. Everyone had his place within a hierarchy, … the father as ruler of the family, the emperor as ruler of the state and its people, and the slave as a “human tool” subject to the will of his owner. Roman law presumed indelible distinctions: slave-free, citizen-alien, master-follower.

Christianity, as preached by St. Paul in the first century and by St. Augustine in the fourth, promised something quite different, and revolutionary. “In Paul’s writings,” Mr. Siedentop writes, “we see the emergence of a new sense of justice, founded on the assumption of moral equality rather than on natural inequality.

’Where ‘I’ Comes From,’ David Gress, The Wall Street Journal, 19 December 2014

In Switzerland, the fire of religious revolution and ‘something quite different’ found abundant fuel in its founding tribes’ own — longstanding — traditions of egalitarianism.

Fasnacht fits those beautifully, as Burcu Bayer shows us – in an authorial voice resembling nothing you’d expect to read in a thesis but, rather, the forthright foreign student at the table next to yours, somewhere, on whose conversation you cannot help eavesdropping:

The Carnival of the middle ages has no parallel in modern times. The official feasts and celebrations were linked to the church, the feudal lords, or the state. Carnivals were related to one of the religious rituals, it was the last blowout before Lent. It was a time of excess, when the prohibitions on carnal satisfaction are abolished and popular creative energy is given full expression in the form of costumes, masks, songs, dances, puppet shows, poems, plays, etc.. Society is, in normal circumstances, ruled by the “head” i.e, in medieval Europe, the court and the church. During Carnival, hierarchy is not only suspended but inverted: The village idiot becomes king; sinners in priestly vestments preach nonsensical or blasphemous sermons. It is a space-time governed by the joyously eating, drinking, screwing and odor-emitting regions of corporal existence, which the mind ignores or otherwise represses. These features of Carnival lead us to relate it with a social criticism. To explain, inverted hierarchy can be read as an acquired right by a social movement, it is peasants’ right to be the head of the society.

Thus, these carnivals became an opportunity to protest. There are different levels of approaching this protest behavior of Carnivals. First line is the reversal of society where idiot becomes king; slave becomes master and so the hierarchy of society is inversed. A second life, a second world is constructed and it is a “world inside out”. It is a world like a utopian realm that freedom, equality and abundance exist.

from ‘Carnivals as a Site of Protests during Renaissance,’ Burcu Bayer, 2013

Switzerland’s egalitarian spirit has its grassroots pushing up sturdy green blades towards possibilities still undreamt of in other places. Dreams that any Swiss citizen can seek to turn into reality through that quintessentially Swiss political tool, the referendum (as we showed in an earlier post here, quoting Diccon Bewes.) For example? … Well, how about the Basic Income Movement – founded on a vision of everyone being guaranteed a monthly payment large enough to meet fundamental necessities, with no conditions imposed, no questions asked:

This fall, a truck dumped eight million coins outside the Parliament building in Bern, one for every Swiss citizen. It was a publicity stunt for advocates of an audacious social policy that just might become reality in the tiny, rich country. Along with the coins, activists delivered 125,000 signatures — enough to trigger a Swiss public referendum, this time on providing a monthly income to every citizen, no strings attached. Every month, every Swiss person would receive a check from the government, no matter how rich or poor, how hardworking or lazy, how old or young. Poverty would disappear. Economists, needless to say, are sharply divided on what would reappear in its place — and whether such a basic-income scheme might have some appeal for other, less socialist countries too.

‘Switzerland’s Proposal to Pay People for Being Alive,’ Annie Lowrey, The New York Times, 12 November 2013

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Testimonial of an ink-stained scribbler at the digital crossroads, 3: Seven reasons why indie publishing is the right choice for a travel book on Switzerland and its curious culture of extreme equality

On Olten’s covered bridge, the Holzbrücke, a costumed girl-Viking recalled by a brilliant encapsulation of old-fashioned publishing by Holly Ward (see below) - HAPPY NEW YEAR from postgutenberg@gmail.com

On Olten’s covered bridge, the Holzbrücke, a costumed girl-Viking recalled by a brilliant encapsulation of old-fashioned publishing by Holly Ward (see below)
HAPPY NEW YEAR from postgutenberg@gmail.com

[ In earlier entries here: part 1 and part 2 of this Testimonial series ]

7 reasons why indie publishing is the right choice for a travel book on Switzerland and its curious culture of extreme equality

  1. Ignorance

Practically no one knows that the Swiss are the world champions at working collaboratively – in ways that go far beyond the ‘extreme democracy’ by which they rule themselves. This matters because so many of us would like to see the egalitarian feeling of this internet translated into workplaces restructured to flatten hierarchies, and because inequality is the supreme flashpoint in public debate, today.

  1. Publishers can’t help being as ignorant as everyone else on this and many other subjects

Like most educated – and even over-educated – people, book publishers in the English-speaking world share a clichéd, hopelessly mistaken view of Switzerland as no more than an abettor of tax-dodgers and holiday destination for fat-cats on skis. Practically no one outside the German-speaking sphere learns any Swiss history in school. Switzerland is effectively awarded only non-speaking walk-on parts in history textbooks. Institutions such as the Centre for Swiss Politics at the University of Kent have had to be created in attempts to fill the void in higher education and research.

  1. Courting rejection from publishers who know nothing about a subject makes no sense

Preliminary conversations with publishers and literary agents made it clear that writing and submitting a book proposal to them would be pointless. The book I envisioned would have to be written without their help to show them exactly why Switzerland deserved it.

  1. Other writers on Switzerland confirmed the soundness of the indie route

I compared my impressions of publishers’ prejudices about Switzerland as a subject with the experiences of other writers – most helpfully, in a conversation with Diccon Bewes, whose elegant Swiss Watching, de-mystifying his second home for fellow-expatriates, deserves its huge success (for reasons explained in an earlier entry on post-Gutenberg.com). In looking for a publisher, he had the advantage of being a graduate of the London School of Economics working at the time as the manager of Stauffacher’s, the most popular English-language bookshop in Bern. But even he had to put up with the lazy response, over and over again, that I got from a literary agent in Oxford – that Switzerland is ‘too small and boring’ to merit attention. Anyone intellectually curious could have read Jonathan Steinberg’s riveting Why Switzerland? (1996) to be cured of that delusion. But many publishers are suffering – too lost and confused in this transition to digital media to have the mental energy to challenge their preconceptions.

  1. It is impossible to justify waiting for publishers to make decisions at their traditional pace when your subject is red hot

There is a huge appetite, now, for exploring practical egalitarianism. The German head of a small, respected literary publisher of English books referred me to her editor-in-chief, when I asked if she would be interested in a look at my work-in-progress. The reply from this colleague was friendly and encouraging, but warned that months could go by before she got to any manuscript pages sent to her for vetting, when I was ready. This is still a typical editor’s sense of time, in print publishing.

  1. Even commercial publishers who claim to be eager to cross over to e-publishing are terrified of experimenting – with, say, e-serialisation

That same editor-in-chief told me that if I were to experiment with publishing the first section of my book as Part 1 of an e-serial, I’d be ruling it out for consideration by her firm. That convinced me that serialisation was the right route for me – and, lo! … last Sunday’s New York Times quoted several writers with proven money-making instincts who are also switching over to publishing their books in parts.

  1. The most practical writers are, increasingly, most apt to choose the indie option

Also in that New York Times article is the wittiest, most incisive explanation of why writers should resist ceding control of our work to publishers in the old-fashioned way (barring exceptional circumstances — and publishers). It is in a quotation of Holly Ward – whose words instantly conjured an image of a fellow-pedestrian playing girl-Viking whom I met, fleetingly, in Olten, in my research on Enemies: a cash-strapped traveller’s search for the secret of Switzerland’s extreme equality:

“The only person I truly trust with my career is me,” she said. “If you hand over your work, it’s like dropping your baby in a box and kicking him to the curb. Maybe he’ll grow up and be awesome — or maybe he’ll get sucked into the sewers and be raised by rats.”

Published here and on Medium.com by Cheryll Barron, 1 January 2015